Studio
IFC FilmsFollow
40 films•2001–2026•Drama · Crime · Horror
Avg critics83%
Avg audience78%
Avg domestic$8.1M
Domestic
$324.9M
Lifetime
Worldwide
$756.2M
Lifetime
Avg opening
$260K
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| My Big Fat Greek Wedding | 2002 | $597K | $241.0M | 80.3x | $369.0M | A- | 76% | #5 |
| Boyhood | 2014 | $388K | $25.4M | 10.6x | $57.3M | — | 97% | — |
| Y Tu Mama Tambien | 2001 | $408K | $13.6M | 11.5x | $33.6M | — | 90% | — |
| Late Night with the Devil | 2023 | $2.8M | $10.0M | 3.50x | $16.8M | — | 97% | — |
 The Death of Stalin | 2018 | $185K | $8.0M | 6.00x | $20.4M | — | 94% | — |
 Frances Ha | 2012 | $137K | $4.1M | 7.50x | $11.2M | — | 92% | — |
 Motor City | 2026 | $1.7M | $2.7M | 1.60x | $3.0M | — | 65% | #114 |
 BlackBerry | 2023 | $740K | $2.4M | 3.30x | $2.8M | — | 97% | — |
 Faces of Death | 2026 | — | $2.4M | — | — | TBD | 67% | — |
 Forbidden Fruits | 2026 | $1.2M | $2.2M | 1.90x | — | — | 76% | #117 |
 Blue Is the Warmest Colour | 2013 | $100K | $2.2M | 21.9x | $19.8M | — | 88% | — |
 Gomorrah | 2008 | $78K | $1.6M | — | $37.3M | — | 90% | — |
 Oddity | 2024 | $562K | $1.2M | 2.10x | — | — | 96% | — |
 4 Months, 3 Weeks and 2 Days | 2007 | $52K | $1.2M | 9.50x | $10.2M | — | 96% | — |
 Idiots | 2026 | $700K | $1.1M | 1.50x | $1.2M | — | 58% | #131 |
 Nobody Knows | 2004 | $32K | $684K | 6.90x | $2.3M | — | 92% | — |
 Memoir of a Snail | 2024 | $65K | $670K | 2.90x | $7.1M | — | 95% | — |
 When Evil Lurks | 2023 | $206K | $547K | 2.70x | $1.7M | — | 96% | — |
 Antichrist | 2009 | $71K | $404K | 5.70x | $2.5M | — | 53% | — |
 The Nightingale | 2018 | $36K | $401K | 6.90x | $1.0M | — | 87% | — |
 Fish Tank | 2009 | $26K | $375K | 7.60x | $5.9M | — | 91% | — |
 The Dry | 2020 | $119K | $364K | 3.10x | $18.3M | — | 90% | — |
 Enter the Void | 2009 | $44K | $338K | 7.70x | $1.5M | — | 73% | — |
 Like Father, Like Son | 2013 | $16K | $334K | 9.90x | — | — | 86% | — |
 This Is England | 2007 | $18K | $328K | 9.80x | $8.7M | — | 93% | — |
 I, Daniel Blake | 2016 | — | $260K | — | $15.9M | — | 92% | — |
 Turtles Can Fly | 2004 | $23K | $257K | 9.20x | $1.1M | — | 87% | — |
 Happening | 2021 | $33K | $181K | 3.00x | — | — | 99% | — |
 Still Walking | 2008 | $20K | $167K | 4.00x | $3.5M | — | 100% | — |
 Hunger | 2008 | $2K | $154K | 9.30x | — | — | 90% | — |
 The Good, the Bad, the Weird | 2008 | — | $128K | — | $44.3M | — | 81% | — |
 The Best Offer | 2014 | $3K | $89K | 5.90x | $0.4M | — | 56% | — |
 Dead Snow | 2009 | $5K | $47K | 6.80x | $2.2M | — | 67% | — |
 Valhalla Rising | 2009 | $8K | $31K | 3.90x | $0.7M | — | 70% | — |
 Kill List | 2011 | $10K | $29K | — | $0.5M | — | 79% | — |
 Elite Squad | 2008 | $4K | $9K | 2.50x | $14.3M | — | 53% | — |
 Nitram | 2021 | — | — | — | $0.4M | — | 92% | — |
 The Autopsy of Jane Doe | 2016 | — | — | — | $6.2M | — | 86% | — |
 The Wave | 2011 | — | — | — | $35.1M | — | 0% | — |
 Exam | 2009 | — | — | — | — | — | 61% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
6.1x
$580.3M worldwide on $95.6M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $289.5MInternational $290.8M
Return by film
Worldwide ÷ budget0x2.5x breakeven28.6x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records1 placing across 1 all-time chart. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Directors
Counted from this filmography. The number is how many of these films each one accounts for.