Bill Condon
Director

Bill Condon

5 films1998–2017Drama · Fantasy · Adventure
64%average critics72%average audience$237.3Mdomestic average
Films
5
1998–2017
Domestic
$1.19B
lifetime
Worldwide
$2.96B
lifetime
Avg opening
$92.5M
3-day
Avg legs
4.85x
opening → total
Return
6.3x
on $467.5M of budget

Box Office Watch tracks 5 films directed by Bill Condon, from Gods and Monsters (1998) to Beauty and the Beast (2017), together grossing $1.19B domestic and $2.96B worldwide. The biggest hit is Beauty and the Beast (2017) at $1.26B worldwide, which also had the biggest opening weekend, $174.8M.

Filmography

FilmYearOpeningDomesticLegsWorldwideCinemaScoreRTYearly rank
Beauty and the BeastPG · 2h 9m2017$174.8M$504.0M2.88x$1.26BA71%#2
The Twilight Saga: Breaking Dawn - Part 2PG-13 · 1h 55m2012$141.0M$292.0M2.07x$830.0MA49%#6
The Twilight Saga: Breaking Dawn - Part 1PG-13 · 1h 57m2011$138.0M$281.0M2.04x$712.0MB+26%#3
DreamgirlsPG-13 · 2h 10m2006$8.4M$103.0M12.4x$155.0MA79%#19
Gods and MonstersR · 1h 45m1998$76K$6.5M96%
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.

Film by film

DomesticInternationalColumn height is worldwide · one film every 4.8 years

Profitability

Return on Budget
6.3x
$2.96B worldwide on $467.5M of production budget
Budget$467.5M
Domestic$1.18B
Worldwide$2.96B
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
40%DOMESTIC
Domestic $1.18BInternational $1.78B
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.

Records held

All records →
Top 5 of 10 placings across 8 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.

What’s next

Full schedule →
No upcoming movies announced yet.

Connected

Counted from this filmography. The number is how many of these films each one accounts for.