Actor
Dermot MulroneyFollow
15 films•1988–2017•Drama · Comedy · Action
Avg critics49%
Avg audience58%
Avg domestic$43.0M
Domestic
$645.4M
Lifetime
Worldwide
$1.019B
Lifetime
Avg opening
$10.5M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 My Best Friend's Wedding | 1997 | $21.7M | $126.8M | 5.80x | $298.9M | — | 75% | — |
 About Schmidt | 2003 | $282K | $65.0M | 7.60x | $107.0M | — | 86% | #47 |
 The Family Stone | 2005 | $12.5M | $60.1M | 4.80x | $92.4M | B+ | 52% | #44 |
 Insidious: Chapter 3 | 2015 | $22.7M | $52.2M | 2.30x | $120.5M | B+ | 56% | — |
 The Grey | 2011 | $19.7M | $51.6M | 2.60x | $81.2M | — | 80% | — |
 Young Guns | 1988 | $7.0M | $44.7M | 6.40x | — | A- | 43% | — |
 Must Love Dogs | 2005 | $12.9M | $43.9M | 3.40x | $58.4M | — | 37% | — |
 Dirty Grandpa | 2016 | $11.1M | $35.6M | 3.20x | $105.1M | — | 10% | — |
 Copycat | 1995 | $5.2M | $32.1M | 6.20x | — | — | 76% | — |
 The Wedding Date | 2005 | $11.1M | $31.7M | 2.90x | $47.2M | — | 12% | — |
 The Mountain Between Us | 2017 | $10.6M | $30.3M | 2.90x | $62.6M | — | 39% | — |
 Point of No Return | 1993 | $7.2M | $30.0M | 4.20x | — | — | 50% | — |
 Sleepless | 2017 | $8.3M | $20.8M | 2.50x | $33.3M | — | 25% | — |
 Georgia Rule | 2007 | $6.8M | $18.9M | 2.80x | — | — | 19% | — |
 Stoker | 2013 | $161K | $1.7M | 4.80x | $12.0M | — | 70% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 2.1 years
Profitability
Return on budget
4.1x
$956.0M worldwide on $232.5M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $489.4MInternational $466.6M
Return by film
Worldwide ÷ budget0x2.5x breakeven12.1x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full scheduleConnected
Counted from this filmography. The number is how many of these films each one accounts for.