Director & Actor
Garry Marshall
14 films•3 as cast•1987–2016•Comedy · Romance · Drama
41%average critics62%average audience$83.8Mdomestic average
Films
14
1987–2016
Domestic
$1.17B
lifetime
Worldwide
$2.04B
lifetime
Avg opening
$18.1M
3-day
Avg legs
5.99x
opening → total
Return
3.9x
on $518.0M of budget
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Pretty Woman | 1990 | $11.3M | $178.4M | 15.8x | $432.6M | — | 65% | — |
 Runaway Bride | 1999 | $35.1M | $152.3M | 4.30x | $310.1M | — | 45% | — |
 Chicken Little | 2005 | $40.0M | $135.0M | 3.38x | $314.0M | A- | 36% | #14 |
 Valentine's Day | 2010 | $56.3M | $110.0M | 1.96x | $216.0M | B | 18% | #24 |
 The Princess Diaries | 2001 | $22.9M | $108.0M | 4.73x | $165.0M | — | 49% | #19 |
 A League of Their Own | 1992 | $13.7M | $107.5M | 7.80x | $132.4M | — | 82% | — |
 The Princess Diaries 2: Royal Engagement | 2004 | $23.0M | $95.2M | 4.15x | $135.0M | — | 25% | #24 |
 Beaches | 1988 | $198K | $57.0M | 287.6x | — | — | 41% | — |
 Never Been Kissed | 1999 | $11.8M | $55.5M | 4.70x | $84.6M | A- | 56% | — |
 New Year's Eve | 2011 | $13.0M | $54.5M | 4.20x | $146.9M | — | 7% | — |
 Raising Helen | 2004 | $11.0M | $37.5M | 3.40x | $49.8M | — | 25% | — |
 Mother's Day | 2016 | $8.4M | $32.5M | 3.90x | $52.4M | — | 8% | — |
 Overboard | 1987 | $1.9M | $26.7M | 14.2x | — | A- | 46% | — |
 Frankie and Johnny | 1991 | $4.3M | $22.8M | 5.30x | — | — | 69% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M
DomesticInternationalColumn height is worldwide · one film every 2.2 years
Profitability
Return on Budget
3.9x
$2.04B worldwide on $518.0M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $1.07BInternational $972.4M
Return by film · worldwide ÷ budget
0x2.5x breakeven12.7x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records →1 placing across 1 all-time chart. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.