Actor
Helena Bonham Carter
21 films•1992–2026•Adventure · Drama · Fantasy
70%average critics69%average audience$116.9Mdomestic average
Films
21
1992–2026
Domestic
$2.45B
lifetime
Worldwide
$6.91B
lifetime
Avg opening
$36.2M
3-day
Avg legs
4.01x
opening → total
Return
3.4x
on $2.03B of budget
Box Office Watch tracks 21 films featuring Helena Bonham Carter, from Howards End (1992) to Mary Oliver: Saved by the Beauty of the World (2026), together grossing $2.45B domestic and $6.91B worldwide. The biggest hit is Alice in Wonderland (2010) at $1.03B worldwide; the biggest opening weekend belongs to Harry Potter and the Deathly Hallows: Part 1 (2010) at $125.0M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Mary Oliver: Saved by the Beauty of the World | 2026 | $25K | $619K | 24.8x | $0.6M | — | 0% | #116 |
 Enola Holmes | 2020 | — | — | — | — | — | 91% | — |
 Ocean's 8 | 2018 | $41.6M | $140.2M | 3.37x | $297.7M | B+ | 69% | #24 |
 Alice Through the Looking Glass | 2016 | $26.9M | $77.0M | 2.87x | $276.9M | A- | 29% | #39 |
 Cinderella | 2015 | $67.9M | $201.2M | 2.96x | $542.4M | A | 84% | #10 |
 The Lone Ranger | 2013 | $29.2M | $89.3M | 3.06x | $261.0M | B+ | 31% | #40 |
 Dark Shadows | 2012 | $29.7M | $79.7M | 2.69x | $246.0M | B- | 35% | #38 |
 Alice in Wonderland | 2010 | $116.0M | $334.0M | 2.88x | $1.03B | A- | 51% | #2 |
 Harry Potter and the Deathly Hallows: Part 1 | 2010 | $125.0M | $296.0M | 2.37x | $960.0M | A | 76% | #5 |
 The King's Speech | 2010 | $9.2M | $135.0M | 14.7x | $411.0M | A+ | 94% | #18 |
 Terminator Salvation | 2009 | $42.6M | $125.0M | 2.94x | $371.0M | A | 33% | #23 |
 Harry Potter and the Order of the Phoenix | 2007 | $77.1M | $292.0M | 3.79x | $942.0M | A- | 78% | #5 |
 Sweeney Todd: The Demon Barber of Fleet Street | 2007 | $9.3M | $52.9M | 5.69x | $153.0M | — | 86% | #48 |
 Charlie and the Chocolate Factory | 2005 | $56.2M | $206.0M | 3.68x | $475.0M | A- | 83% | #7 |
 Corpse Bride | 2005 | $19.1M | $53.4M | 2.79x | $117.0M | B+ | 85% | — |
 Wallace & Gromit: The Curse of the Were-Rabbit | 2005 | $16.0M | $56.1M | 3.50x | $193.0M | B+ | 95% | #48 |
 Big Fish | 2003 | $13.8M | $66.8M | 4.84x | $123.0M | B+ | 76% | #44 |
 Planet of the Apes | 2001 | $68.5M | $180.0M | 2.63x | $362.0M | B- | 42% | #10 |
 Fight Club | 1999 | $11.0M | $37.0M | 3.40x | $100.8M | — | 81% | — |
 Mighty Aphrodite | 1995 | $326K | $6.4M | — | $26.0M | — | 78% | — |
 Howards End | 1992 | $53K | $26.1M | — | $26.4M | — | 94% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
Howards End1992Mighty Aphrodite1995Fight Club1999Planet of the Apes2001Big Fish2003Charlie and the Chocolate Factory2005Corpse Bride2005Wallace & Gromit: The Curse of the Were-Rabbit2005Harry Potter and the Order of the Phoenix2007Sweeney Todd: The Demon Barber of Fleet Street2007Terminator Salvation2009Alice in Wonderland2010Harry Potter and the Deathly Hallows: Part 12010The King's Speech2010Dark Shadows2012The Lone Ranger2013Cinderella2015Alice Through the Looking Glass2016Ocean's 82018Enola Holmes2020Mary Oliver: Saved by the Beauty of the World2026DomesticInternationalColumn height is worldwide · one film every 1.7 years
Profitability
Return on Budget
3.4x
$6.89B worldwide on $2.03B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $2.45BInternational $4.44B
Return by film · worldwide ÷ budget
0x2.5x breakeven27.4x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records →Top 2 of 4 placings across 4 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
