Actor
Jay O. Sanders
5 films•1994–2027•Thriller · Crime · Mystery
42%average critics53%average audience$68.2Mdomestic average
Films
5
1994–2027
Domestic
$341.0M
lifetime
Worldwide
$635.8M
lifetime
Avg opening
$21.6M
3-day
Avg legs
3.85x
opening → total
Return
3.4x
on $185.0M of budget
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 The Day After Tomorrow | 2004 | $68.7M | $187.0M | 2.72x | $553.0M | B | 45% | #7 |
 Kiss the Girls | 1997 | $13.2M | $60.5M | 4.60x | — | — | 37% | — |
 Angels in the Outfield | 1994 | $8.9M | $50.2M | 5.60x | — | A | 31% | — |
 Edge of Darkness | 2010 | $17.2M | $43.3M | 2.50x | $82.8M | — | 54% | — |
 Remain | 2027 | — | — | — | — | — | 0% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M
DomesticInternationalColumn height is worldwide · one film every 8.2 years
Profitability
Return on Budget
3.4x
$635.8M worldwide on $185.0M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $230.3MInternational $405.5M
Return by film · worldwide ÷ budget
0x2.5x breakeven2.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records →#3Biggest openings not at #1The Day After Tomorrow$68.7M#14Biggest Memorial Day openingsThe Day After Tomorrow$85.8M#14Biggest grossers never #1The Day After Tomorrow$186.7M
3 placings across 3 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.