Actor
Julia RobertsFollow
39 films•1988–2025•Drama · Comedy · Romance
Avg critics56%
Avg audience61%
Avg domestic$75.5M
Domestic
$2.870B
Lifetime
Worldwide
$5.952B
Lifetime
Avg opening
$16.1M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Ocean's Eleven | 2001 | $38.1M | $183.4M | 4.81x | $450.7M | B+ | 83% | #8 |
 Pretty Woman | 1990 | $11.3M | $178.4M | 15.8x | $432.6M | — | 65% | — |
 Runaway Bride | 1999 | $35.1M | $152.3M | 4.30x | $310.1M | — | 45% | — |
 Wonder | 2017 | $27.5M | $132.4M | 4.81x | $310.2M | A | 89% | #24 |
 My Best Friend's Wedding | 1997 | $21.7M | $126.8M | 5.80x | $298.9M | — | 75% | — |
 Erin Brockovich | 2000 | $28.1M | $126.0M | 4.46x | $137.0M | A | 87% | #13 |
 Ocean's Twelve | 2004 | $39.2M | $125.5M | 3.20x | $363.0M | B- | 55% | #14 |
 Hook | 1991 | $13.5M | $119.7M | 8.80x | $300.9M | — | 37% | — |
 Notting Hill | 1999 | $21.8M | $116.1M | 5.30x | $363.7M | — | 84% | — |
 Valentine's Day | 2010 | $56.3M | $110.0M | 1.96x | $216.0M | B | 18% | #24 |
 Sleeping with the Enemy | 1991 | $13.8M | $101.6M | 7.40x | $175.0M | — | 24% | — |
 The Pelican Brief | 1993 | $16.9M | $100.8M | 6.00x | $188.0M | — | 56% | — |
 America's Sweethearts | 2001 | $30.2M | $93.6M | 3.10x | $138.0M | B | 33% | #23 |
 Stepmom | 1998 | $19.1M | $91.1M | 4.80x | $159.7M | A | 45% | — |
 Steel Magnolias | 1989 | $5.4M | $83.8M | 11.9x | $95.2M | — | 73% | — |
 Charlotte's Web | 2006 | $11.5M | $83.0M | 7.24x | $149.0M | A | 79% | #25 |
 Eat Pray Love | 2010 | $23.1M | $80.6M | 3.49x | $205.0M | A | 34% | #42 |
 Conspiracy Theory | 1997 | $19.3M | $76.1M | 3.90x | $142.8M | B+ | 59% | — |
 Ticket to Paradise | 2022 | $16.5M | $68.3M | 4.10x | $168.6M | A- | 61% | #27 |
 The Mexican | 2001 | $20.1M | $66.8M | 3.32x | $148.0M | C | 54% | #36 |
 Charlie Wilson's War | 2007 | $9.7M | $66.7M | 6.90x | $119.0M | A- | 82% | #39 |
 Mirror Mirror | 2012 | $18.1M | $64.9M | 3.58x | $183.0M | — | 50% | #48 |
 Mona Lisa Smile | 2003 | $11.5M | $63.9M | 5.54x | $141.0M | B | 33% | #48 |
 Flatliners | 1990 | $10.0M | $61.3M | 6.10x | — | — | 50% | — |
 Something to Talk About | 1995 | $11.1M | $50.9M | 4.60x | $77.3M | — | 33% | — |
 Money Monster | 2016 | $14.8M | $41.0M | 2.80x | $93.5M | — | 58% | — |
 Duplicity | 2009 | $14.0M | $40.6M | 2.90x | $81.1M | — | 65% | — |
 August: Osage County | 2013 | $179K | $37.7M | 5.30x | $50.7M | A- | 67% | — |
 Larry Crowne | 2011 | $13.1M | $35.6M | 2.70x | $61.4M | — | 36% | — |
 Closer | 2004 | $7.7M | $34.0M | 4.40x | $116.0M | — | 67% | — |
 Dying Young | 1991 | $9.7M | $32.7M | 3.40x | $81.3M | B+ | 25% | — |
 Mother's Day | 2016 | $8.4M | $32.5M | 3.90x | $52.4M | — | 8% | — |
 The Ant Bully | 2006 | $8.4M | $28.1M | 3.30x | $49.6M | — | 61% | — |
 Secret in Their Eyes | 2015 | $6.7M | $20.2M | 3.00x | $32.6M | — | 39% | — |
 Confessions of a Dangerous Mind | 2002 | $87K | $16.0M | 2.70x | $33.0M | — | 80% | — |
 Mystic Pizza | 1988 | $1.2M | $12.8M | 9.10x | — | — | 77% | — |
 Michael Collins | 1996 | $222K | $11.3M | 4.70x | $27.8M | — | 78% | — |
 After the Hunt | 2025 | $159K | $3.3M | 2.10x | — | — | 36% | — |
 Leave the World Behind | 2023 | — | — | — | — | — | 73% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M
DomesticInternationalColumn height is worldwide · one film every 1.0 years
Profitability
Return on budget
3.5x
$5.523B worldwide on $1.582B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.523BInternational $3.000B
Return by film
Worldwide ÷ budget0x2.5x breakeven30.9x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records1 placing across 1 all-time chart. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.