Actor
Robert DuvallFollow
30 films•1962–2018•Drama · Crime · Thriller
Avg critics68%
Avg audience72%
Avg domestic$55.5M
Domestic
$1.665B
Lifetime
Worldwide
$2.207B
Lifetime
Avg opening
$9.8M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Deep Impact | 1998 | $41.2M | $140.5M | 3.40x | $349.5M | — | 45% | — |
 The Godfather | 1972 | $302K | $136.5M | 451.3x | $270.0M | — | 97% | — |
 Four Christmases | 2008 | $31.1M | $120.0M | 3.87x | $164.0M | B | 25% | #21 |
 Phenomenon | 1996 | $24.5M | $104.6M | 4.30x | $152.0M | — | 49% | — |
 Gone in 60 Seconds | 2000 | $25.3M | $102.0M | 4.01x | $237.0M | B | 25% | #21 |
 Days of Thunder | 1990 | $15.5M | $82.7M | 5.30x | $157.7M | A | 38% | — |
 M*A*S*H | 1970 | — | $81.6M | — | — | — | 86% | — |
 John Q | 2002 | $20.3M | $71.8M | 3.54x | $102.0M | A | 26% | #38 |
 Open Range | 2003 | $14.0M | $58.3M | 4.20x | $68.6M | — | 79% | — |
 The Godfather Part II | 1974 | — | $57.3M | — | $57.6M | — | 96% | — |
 A Civil Action | 1998 | $70K | $56.7M | 3.70x | — | B | 65% | — |
 Kicking & Screaming | 2005 | $20.2M | $52.8M | 2.60x | $55.8M | B | 41% | — |
 Something to Talk About | 1995 | $11.1M | $50.9M | 4.60x | $77.3M | — | 33% | — |
 The Natural | 1984 | $5.1M | $48.0M | 9.40x | — | — | 83% | — |
 The Judge | 2014 | $13.1M | $47.1M | 3.60x | $76.1M | — | 49% | — |
 Colors | 1988 | $4.7M | $46.6M | 7.10x | — | B- | 76% | — |
 Widows | 2018 | $12.4M | $42.4M | 3.40x | $76.0M | — | 91% | — |
 Bullitt | 1968 | — | $42.3M | — | — | — | 98% | — |
 Secondhand Lions | 2003 | $12.1M | $42.1M | 3.50x | $47.9M | — | 60% | — |
 Falling Down | 1993 | $8.7M | $40.9M | 4.70x | $40.9M | — | 77% | — |
 Crazy Heart | 2009 | $83K | $39.5M | 11.1x | $47.4M | — | 90% | — |
 The Paper | 1994 | $7.0M | $36.8M | 5.20x | $46.4M | B+ | 86% | — |
 The 6th Day | 2000 | $13.0M | $34.6M | 2.66x | $96.1M | C | 40% | — |
 True Grit | 1969 | — | $31.1M | — | — | — | 87% | — |
 We Own the Night | 2007 | $10.8M | $28.6M | 2.60x | $55.3M | — | 57% | — |
 Sling Blade | 1996 | $3.0M | $24.4M | 8.10x | — | — | 96% | — |
 Network | 1976 | — | $23.7M | — | — | — | 91% | — |
 To Kill a Mockingbird | 1962 | — | $13.1M | — | — | — | 93% | — |
 The Road | 2009 | $1.5M | $8.1M | 5.40x | $29.2M | — | 74% | — |
 THX 1138 | 1971 | — | — | — | — | — | 72% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$100M$200M$300M
DomesticInternationalColumn height is worldwide · one film every 1.9 years
Profitability
Return on budget
2.8x
$2.042B worldwide on $732.5M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.169BInternational $873.3M
Return by film
Worldwide ÷ budget0x2.5x breakeven11.2x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#12Biggest Thanksgiving openingsFour Christmases$46.1M#12Best second-weekend holds ($20M+ openers)True Grit−1.7%
2 placings across 2 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.