Actor
Timothy OlyphantFollow
16 films•1999–2026•Drama · Comedy · Action
Avg critics51%
Avg audience61%
Avg domestic$45.8M
Domestic
$686.8M
Lifetime
Worldwide
$1.582B
Lifetime
Avg opening
$14.3M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Once Upon a Time in Hollywood | 2019 | $41.1M | $142.5M | 3.47x | $377.4M | B | 86% | #20 |
 Live Free or Die Hard | 2007 | $33.4M | $134.5M | 4.03x | $382.3M | A- | 82% | #17 |
 Gone in 60 Seconds | 2000 | $25.3M | $102.0M | 4.01x | $237.0M | B | 25% | #21 |
 I Am Number Four | 2011 | $19.4M | $55.1M | 2.83x | $150.0M | B+ | 32% | — |
 Hitman | 2007 | $13.2M | $39.7M | 3.00x | $99.1M | — | 16% | — |
 The Crazies | 2010 | $16.1M | $39.1M | 2.40x | $56.4M | — | 72% | — |
 Dreamcatcher | 2003 | $15.0M | $33.7M | 2.20x | $75.7M | — | 27% | — |
 Mother's Day | 2016 | $8.4M | $32.5M | 3.90x | $52.4M | — | 8% | — |
 A Man Apart | 2003 | $11.0M | $26.5M | 2.40x | $43.8M | — | 10% | — |
 Go | 1999 | $4.7M | $16.9M | 3.60x | $28.4M | — | 91% | — |
 Missing Link | 2019 | $5.9M | $16.6M | 2.80x | $25.4M | — | 88% | — |
 A Perfect Getaway | 2009 | $5.9M | $15.5M | 2.60x | $22.8M | — | 62% | — |
 Catch and Release | 2006 | $7.7M | $15.4M | 2.00x | — | — | 23% | — |
 The Girl Next Door | 2004 | $6.0M | $14.6M | 2.40x | $31.6M | — | 56% | — |
 Over Your Dead Body | 2026 | $1.4M | $2.1M | 1.50x | — | — | 69% | #119 |
 Havoc | 2025 | — | — | — | — | — | 64% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.8 years
Profitability
Return on budget
2.7x
$1.557B worldwide on $567.5M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $652.6MInternational $904.3M
Return by film
Worldwide ÷ budget0x2.5x breakeven4.4x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
