Actor
Amy Adams
14 films•2002–2018•Drama · Comedy · Biography
81%average critics74%average audience$103.9Mdomestic average
Films
14
2002–2018
Domestic
$1.45B
lifetime
Worldwide
$2.95B
lifetime
Avg opening
$26.0M
3-day
Avg legs
5.03x
opening → total
Return
3.2x
on $927.0M of budget
Box Office Watch tracks 14 films featuring Amy Adams, from Catch Me If You Can (2002) to Vice (2018), together grossing $1.45B domestic and $2.95B worldwide. The biggest hit is Man of Steel (2013) at $670.0M worldwide, which also had the biggest opening weekend, $117.0M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Vice | 2018 | $7.8M | $47.8M | 6.20x | $70.9M | C+ | 64% | — |
 Arrival | 2016 | $24.1M | $100.5M | 4.17x | $202.1M | A | 93% | #29 |
 Nocturnal Animals | 2016 | $493K | $10.7M | 21.6x | $32.4M | — | 74% | — |
 American Hustle | 2013 | $19.1M | $150.0M | 7.86x | $251.0M | B+ | 92% | #17 |
 Her | 2013 | $5.3M | $25.6M | 4.80x | $48.0M | — | 95% | — |
 Man of Steel | 2013 | $117.0M | $291.0M | 2.50x | $670.0M | A- | 56% | #5 |
 The Master | 2012 | $736K | $16.2M | 22.1x | $29.0M | — | 85% | — |
 The Muppets | 2011 | $29.2M | $88.6M | 3.03x | $165.0M | A | 95% | #33 |
 The Fighter | 2010 | $12.1M | $93.6M | 7.71x | $129.0M | A- | 91% | #35 |
 Julie & Julia | 2009 | $20.0M | $94.1M | 4.70x | $130.0M | — | 76% | #34 |
 Night at the Museum: Battle of the Smithsonian | 2009 | $54.2M | $177.0M | 3.27x | $413.0M | B+ | 43% | #14 |
 Charlie Wilson's War | 2007 | $9.7M | $66.7M | 6.90x | $119.0M | A- | 82% | #39 |
 Enchanted | 2007 | $34.4M | $128.0M | 3.71x | $340.0M | A- | 93% | #20 |
 Catch Me If You Can | 2002 | $30.1M | $165.0M | 5.48x | $352.0M | A- | 96% | #10 |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.2 years
Profitability
Return on Budget
3.2x
$2.95B worldwide on $927.0M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $1.45BInternational $1.50B
Return by film · worldwide ÷ budget
0x2.5x breakeven6.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
