

Actor
Anthony HopkinsFollow
33 films•1968–2020•Drama · Action · Biography
Avg critics62%
Avg audience70%
Avg domestic$60.6M
Domestic
$1.938B
Lifetime
Worldwide
$4.830B
Lifetime
Avg opening
$17.6M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
Thor: The Dark World | 2013 | $85.7M | $206.4M | 2.41x | $644.6M | A- | 67% | #12 |
Thor | 2011 | $65.7M | $181.0M | 2.75x | $449.3M | B+ | 77% | #10 |
Hannibal | 2001 | $58.0M | $165.0M | 2.80x | $352.0M | C+ | 39% | #12 |
The Silence of the Lambs | 1991 | — | $131.1M | — | $273.1M | — | 95% | — |
Transformers: The Last Knight | 2017 | $44.7M | $130.2M | 2.91x | $602.9M | A- | 15% | #25 |
Noah | 2014 | $43.7M | $101.2M | 2.31x | $352.8M | C | 77% | #32 |
The Mask of Zorro | 1998 | $22.5M | $93.8M | 4.20x | $233.7M | — | 86% | — |
Red Dragon | 2002 | $36.5M | $93.1M | 2.55x | $209.0M | A- | 68% | #28 |
Dracula | 1992 | $30.5M | $82.5M | 2.70x | $215.9M | — | 69% | — |
Beowulf | 2007 | $27.5M | $82.3M | 2.99x | $196.0M | B- | 71% | #32 |
Legends of the Fall | 1994 | — | $66.5M | — | $161.0M | — | 61% | — |
The Wolfman | 2010 | $31.5M | $62.0M | 1.97x | $140.0M | C+ | 32% | — |
RED 2 | 2013 | $18.0M | $53.3M | 2.95x | $148.0M | B+ | 44% | — |
Amistad | 1997 | $4.6M | $51.5M | 4.90x | $65.5M | A- | 78% | — |
A Bridge Too Far | 1977 | — | $50.8M | — | — | — | 61% | — |
Meet Joe Black | 1998 | $15.0M | $44.6M | 3.00x | $142.9M | — | 48% | — |
Fracture | 2007 | $11.0M | $39.0M | 3.50x | $89.2M | — | 72% | — |
Alexander | 2004 | $13.7M | $34.3M | 2.51x | $167.0M | D+ | 15% | — |
Instinct | 1999 | $10.4M | $34.1M | 3.30x | — | — | 27% | — |
The Rite | 2011 | $14.8M | $33.0M | 2.20x | $97.1M | — | 22% | — |
Bad Company | 2002 | $11.0M | $30.2M | 2.70x | $69.2M | B | 11% | — |
The Edge | 1997 | $7.7M | $27.8M | 3.60x | $34.1M | — | 63% | — |
Howards End | 1992 | $53K | $26.1M | — | $26.4M | — | 94% | — |
The Elephant Man | 1980 | — | $26.0M | — | $26.0M | — | 91% | — |
Hearts in Atlantis | 2001 | $9.0M | $24.2M | 2.70x | $30.9M | — | 49% | — |
The Remains of the Day | 1993 | $1.5M | $23.2M | — | $23.2M | — | 96% | — |
The Lion in Winter | 1968 | — | $22.3M | — | — | — | 91% | — |
Chaplin | 1992 | $85K | $9.3M | 2.90x | — | — | 62% | — |
Hitchcock | 2012 | $288K | $6.0M | 5.40x | $24.7M | — | 59% | — |
The World's Fastest Indian | 2005 | — | $5.1M | — | $19.0M | — | 83% | — |
The Father | 2020 | $434K | $2.1M | 4.90x | $36.4M | — | 98% | — |
The Two Popes | 2019 | — | — | — | $0.2M | — | 89% | — |
Solace | 2015 | — | — | — | — | — | 24% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M
DomesticInternationalColumn height is worldwide · one film every 1.6 years
Profitability
Return on budget
2.5x
$4.659B worldwide on $1.832B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.726BInternational $2.933B
Return by film
Worldwide ÷ budget0x2.5x breakeven12.1x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#10Biggest February openingsHannibal$58.0M#12Biggest horror openingsHannibal$58.0M#20Biggest November openingsThor: The Dark World$85.7M
3 placings across 3 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleConnected
Series
Counted from this filmography. The number is how many of these films each one accounts for.
































