Actor
Brad Pitt
35 films•1991–2025•Drama · Crime · Thriller
74%average critics77%average audience$84.5Mdomestic average
Films
35
1991–2025
Domestic
$2.96B
lifetime
Worldwide
$7.79B
lifetime
Avg opening
$21.9M
3-day
Avg legs
4.17x
opening → total
Return
2.9x
on $2.68B of budget
Box Office Watch tracks 35 films featuring Brad Pitt, from Thelma & Louise (1991) to F1 (2025), together grossing $2.96B domestic and $7.79B worldwide. The biggest hit is F1 (2025) at $629.0M worldwide; the biggest opening weekend belongs to World War Z (2013) at $66.4M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 F1 | 2025 | $57.0M | $189.6M | 3.20x | $629.0M | A- | 72% | #14 |
 Babylon | 2022 | $3.6M | $16.6M | 4.60x | $64.3M | — | 57% | — |
 Bullet Train | 2022 | $30.0M | $103.4M | 3.40x | $238.5M | A- | 85% | #18 |
 Ad Astra | 2019 | $19.0M | $50.2M | 2.60x | $135.2M | — | 83% | — |
 Once Upon a Time in Hollywood | 2019 | $41.1M | $142.5M | 3.47x | $377.4M | B | 86% | #20 |
 Allied | 2016 | $12.7M | $40.1M | 3.20x | $119.3M | — | 60% | — |
 The Big Short | 2015 | $6.2M | $70.3M | 11.4x | $132.6M | A- | 88% | #43 |
 Fury | 2014 | $23.8M | $85.8M | 3.61x | $210.2M | A- | 76% | #39 |
 World War Z | 2013 | $66.4M | $202.0M | 3.05x | $540.0M | B+ | 67% | #13 |
 Moneyball | 2011 | $19.5M | $75.6M | 3.88x | $111.0M | A | 94% | #46 |
 The Tree of Life | 2011 | $373K | $13.3M | — | $61.7M | — | 86% | — |
 Megamind | 2010 | $46.0M | $148.0M | 3.23x | $322.0M | A- | 73% | #17 |
 Inglourious Basterds | 2009 | $38.1M | $121.0M | 3.17x | $321.0M | A- | 89% | #25 |
 Burn After Reading | 2008 | $19.1M | $60.4M | 3.16x | $164.0M | — | 78% | — |
 The Curious Case of Benjamin Button | 2008 | $26.9M | $128.0M | 4.75x | $336.0M | A | 71% | #20 |
 Ocean's Thirteen | 2007 | $36.1M | $117.0M | 3.24x | $311.0M | B+ | 70% | #26 |
 The Assassination of Jesse James by the Coward Robert Ford | 2007 | $148K | $3.9M | — | $15.3M | — | 76% | — |
 Babel | 2006 | $5.6M | $34.3M | 6.17x | $135.0M | B- | 68% | — |
 Mr. & Mrs. Smith | 2005 | $50.3M | $186.0M | 3.70x | $487.0M | B+ | 60% | #10 |
 Ocean's Twelve | 2004 | $39.2M | $126.0M | 3.21x | $363.0M | B- | 55% | #14 |
 Troy | 2004 | $46.9M | $133.0M | 2.85x | $497.0M | B | 53% | #13 |
 Ocean's Eleven | 2001 | $38.1M | $183.0M | 4.81x | $451.0M | B+ | 83% | #8 |
 Spy Game | 2001 | $21.7M | $62.4M | 2.88x | $143.0M | B+ | 64% | #38 |
 The Mexican | 2001 | $20.1M | $66.8M | 3.32x | $148.0M | C | 54% | #36 |
 Snatch | 2000 | $28K | $30.1M | — | $83.6M | — | 74% | — |
 Fight Club | 1999 | $11.0M | $37.0M | 3.40x | $100.8M | — | 81% | — |
 Meet Joe Black | 1998 | $15.0M | $44.6M | 3.00x | $142.9M | — | 48% | — |
 Sleepers | 1996 | $12.3M | $53.3M | 4.30x | $165.6M | — | 76% | — |
 Se7en | 1995 | $13.9M | $101.9M | 7.30x | $329.9M | — | 84% | — |
 Twelve Monkeys | 1995 | $179K | $57.1M | 319.7x | $168.8M | — | 88% | — |
 Interview with the Vampire: The Vampire Chronicles | 1994 | $36.4M | $105.3M | 2.90x | $223.6M | — | 66% | — |
 Legends of the Fall | 1994 | — | $66.5M | — | $161.0M | — | 61% | — |
 True Romance | 1993 | $4.0M | $12.3M | 3.10x | $12.6M | — | 93% | — |
 A River Runs Through It | 1992 | $4.3M | $43.4M | 10.1x | $43.4M | — | 80% | — |
 Thelma & Louise | 1991 | — | $45.4M | — | $45.6M | — | 87% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.0 years
Profitability
Return on Budget
2.9x
$7.75B worldwide on $2.68B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $2.91BInternational $4.83B
Return by film · worldwide ÷ budget
0x2.5x breakeven11.0x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.