Director
Bryan Singer
9 films•1995–2018•Action · Adventure · Sci-Fi
71%average critics76%average audience$149.9Mdomestic average
Films
9
1995–2018
Domestic
$1.35B
lifetime
Worldwide
$3.70B
lifetime
Avg opening
$49.9M
3-day
Avg legs
3.09x
opening → total
Return
3.2x
on $1.16B of budget
Box Office Watch tracks 9 films directed by Bryan Singer, from The Usual Suspects (1995) to Bohemian Rhapsody (2018), together grossing $1.35B domestic and $3.70B worldwide. The biggest hit is Bohemian Rhapsody (2018) at $879.1M worldwide; the biggest opening weekend belongs to X-Men: Days of Future Past (2014) at $90.8M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Bohemian Rhapsody | 2018 | $51.1M | $216.3M | 4.20x | $879.1M | A | 61% | #10 |
 X-Men: Apocalypse | 2016 | $65.8M | $155.4M | 2.36x | $543.9M | A- | 47% | #17 |
 X-Men: Days of Future Past | 2014 | $90.8M | $233.9M | 2.58x | $747.9M | A | 90% | #9 |
 Jack the Giant Slayer | 2013 | $27.2M | $65.2M | 2.40x | $198.0M | B+ | 52% | — |
 Valkyrie | 2008 | $21.0M | $83.1M | 3.95x | $202.0M | — | 62% | #36 |
 Superman Returns | 2006 | $52.5M | $200.0M | 3.81x | $391.0M | B+ | 72% | #6 |
 X2: X-Men United | 2003 | $85.6M | $215.0M | 2.51x | $408.0M | A | 85% | #6 |
 X-Men | 2000 | $54.5M | $157.0M | 2.89x | $296.0M | A- | 82% | #8 |
 The Usual Suspects | 1995 | $645K | $23.3M | — | $34.4M | — | 87% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 2.9 years
Profitability
Return on Budget
3.2x
$3.70B worldwide on $1.16B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $1.35BInternational $2.35B
Return by film · worldwide ÷ budget
0x2.5x breakeven16.0x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.
