Actor
Catherine Keener
13 films•1999–2024•Drama · Comedy · Crime
74%average critics75%average audience$75.2Mdomestic average
Films
13
1999–2024
Domestic
$977.0M
lifetime
Worldwide
$2.14B
lifetime
Avg opening
$19.9M
3-day
Avg legs
4.70x
opening → total
Return
3.0x
on $709.0M of budget
Box Office Watch tracks 13 films featuring Catherine Keener, from Being John Malkovich (1999) to Joker: Folie à Deux (2024), together grossing $977.0M domestic and $2.14B worldwide. The biggest hit is The Croods (2013) at $587.0M worldwide, which also had the biggest opening weekend, $43.6M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Joker: Folie à Deux | 2024 | $37.7M | $58.3M | 1.50x | $207.5M | B | 32% | #36 |
 The Croods: A New Age | 2020 | $9.7M | $58.6M | 6.00x | $216.0M | A | 76% | #8 |
 Sicario: Day of the Soldado | 2018 | $19.0M | $50.1M | 2.60x | $76.3M | — | 62% | — |
 Get Out | 2017 | $33.4M | $175.8M | 5.26x | $252.3M | A | 98% | #15 |
 Begin Again | 2013 | $2.8M | $16.2M | 5.70x | $67.7M | — | 83% | — |
 Jackass Presents: Bad Grandpa | 2013 | $32.1M | $102.0M | 3.18x | $152.0M | B+ | 61% | #32 |
 The Croods | 2013 | $43.6M | $187.0M | 4.29x | $587.0M | A | 71% | #14 |
 Where the Wild Things Are | 2009 | $32.7M | $77.2M | 2.36x | $99.1M | B+ | 73% | #41 |
 Into the Wild | 2007 | $212K | $18.4M | 86.4x | $56.8M | — | 83% | — |
 Capote | 2005 | $2.3M | $28.8M | 12.5x | $49.9M | — | 89% | — |
 The 40-Year-Old Virgin | 2005 | $21.4M | $109.0M | 5.11x | $177.0M | A- | 85% | #19 |
 The Interpreter | 2005 | $22.8M | $72.7M | 3.19x | $163.0M | B | 57% | #34 |
 Being John Malkovich | 1999 | $638K | $22.9M | 35.8x | $32.4M | — | 94% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 2.1 years
Profitability
Return on Budget
3.0x
$2.14B worldwide on $709.0M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $977.0MInternational $1.16B
Return by film · worldwide ÷ budget
0x2.5x breakeven50.5x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Studios
Counted from this filmography. The number is how many of these films each one accounts for.