Actor
Chiwetel EjioforFollow
19 films•2005–2026•Drama · Action · Adventure
Avg critics68%
Avg audience75%
Avg domestic$133.0M
Domestic
$2.526B
Lifetime
Worldwide
$7.341B
Lifetime
Avg opening
$46.6M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 The Lion King | 2019 | $191.8M | $543.6M | 2.83x | $1.661B | A | 52% | #2 |
 Doctor Strange in the Multiverse of Madness | 2022 | $187.4M | $411.3M | 2.20x | $955.8M | A | 74% | #4 |
 Doctor Strange | 2016 | $85.1M | $232.6M | 2.73x | $676.3M | A | 89% | #13 |
 The Martian | 2015 | $54.3M | $228.4M | 4.21x | $653.6M | A+ | 91% | #9 |
 Backrooms | 2026 | $81.4M | $197.5M | 2.40x | $400.1M | B- | 89% | #9 |
 2012 | 2009 | $65.2M | $166.0M | 2.55x | $770.0M | B+ | 40% | #15 |
 Venom: The Last Dance | 2024 | $51.1M | $139.8M | 2.70x | $474.5M | A- | 37% | #18 |
 American Gangster | 2007 | $43.6M | $130.0M | 2.99x | $270.0M | B+ | 81% | #19 |
 Salt | 2010 | $36.0M | $118.0M | 3.29x | $294.0M | B+ | 62% | #22 |
 Maleficent: Mistress of Evil | 2019 | $36.0M | $113.3M | 3.15x | $491.0M | A | 40% | #24 |
 Inside Man | 2006 | $29.0M | $88.5M | 3.06x | $186.0M | B+ | 86% | #22 |
 12 Years a Slave | 2013 | $924K | $56.7M | 8.50x | $188.0M | A | 95% | — |
 Children of Men | 2006 | $501K | $35.6M | 3.50x | $69.8M | — | 92% | — |
 Serenity | 2005 | $10.1M | $25.5M | 2.50x | $40.3M | — | 82% | — |
 Secret in Their Eyes | 2015 | $6.7M | $20.2M | 3.00x | $32.6M | — | 39% | — |
 Triple 9 | 2016 | $6.1M | $12.6M | 2.10x | $25.9M | — | 54% | — |
 The Life of Chuck | 2025 | $225K | $6.7M | 2.90x | $11.5M | — | 80% | — |
 Bridget Jones: Mad About the Boy | 2025 | — | — | — | $140.4M | — | 88% | — |
 Infinite | 2021 | — | — | — | — | — | 17% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.2 years
Profitability
Return on budget
4.2x
$7.329B worldwide on $1.728B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.520BInternational $4.810B
Return by film
Worldwide ÷ budget0x2.5x breakeven18.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#1Biggest PG openingsThe Lion King$191.8M#2All-time G domesticThe Lion King$424.0M#3Biggest May openingsDoctor Strange in the Multiverse of Madness$187.4M#3Biggest July openingsThe Lion King$191.8M#4Biggest horror openingsBackrooms$81.4M#7Biggest horror filmsBackrooms$197.5M#10Biggest single daysDoctor Strange in the Multiverse of Madness$90.7M#10Biggest October openingsThe Martian$54.3M#11Biggest PG-13 openingsDoctor Strange in the Multiverse of Madness$187.4M#12Biggest October openingsVenom: The Last Dance$51.0M
Top 10 of 24 placings across 19 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleConnected
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
Week 22 · RecapBackrooms smashes A24 record at $81.5M; Obsession grows again in its 3rd weekend; Mandalorian drops 69%May 29–31, 2026
Special Coverage · Summer 2026Summer 2026 Recap: the hits, the flops, the breakouts, and the winners and losers of the seasonAugust 20, 2026
Week 39 · RecapEndgame Encore wins a $118M weekend with $26M; Resident Evil crosses $100MSeptember 25–27, 2026