Actor
Christopher PlummerFollow
24 films•1965–2019•Drama · Comedy · Crime
Avg critics71%
Avg audience72%
Avg domestic$67.3M
Domestic
$1.616B
Lifetime
Worldwide
$2.992B
Lifetime
Avg opening
$11.0M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Up | 2009 | $68.1M | $293.0M | 4.30x | $735.0M | A+ | 98% | #5 |
 A Beautiful Mind | 2001 | $2.5M | $171.0M | 10.3x | $314.0M | A- | 74% | #11 |
 Knives Out | 2019 | $26.8M | $165.4M | 6.17x | $312.9M | A- | 97% | #15 |
 The Sound of Music | 1965 | — | $164.8M | — | $287.8M | — | 83% | — |
 The Girl with the Dragon Tattoo | 2011 | $12.8M | $102.5M | 8.00x | $239.4M | — | 86% | — |
 Inside Man | 2006 | $29.0M | $88.5M | 3.06x | $186.0M | B+ | 86% | #22 |
 Star Trek VI: The Undiscovered Country | 1991 | $18.2M | $74.9M | 4.10x | $96.9M | A- | 84% | — |
 Wolf | 1994 | $17.9M | $65.0M | 3.60x | $131.0M | — | 62% | — |
 Dragnet | 1987 | $10.5M | $57.4M | 5.40x | — | — | 49% | — |
 Twelve Monkeys | 1995 | $179K | $57.1M | 4.20x | $168.8M | — | 88% | — |
 The Lake House | 2006 | $13.6M | $52.3M | 3.84x | $115.0M | B | 35% | — |
 An American Tail | 1986 | $5.2M | $47.5M | 9.10x | — | — | 76% | — |
 Must Love Dogs | 2005 | $12.9M | $43.9M | 3.40x | $58.4M | — | 37% | — |
 The Return of the Pink Panther | 1975 | — | $41.8M | — | — | — | 79% | — |
 Dracula 2000 | 2000 | $8.6M | $33.0M | 3.80x | $47.0M | — | 19% | — |
 9 | 2009 | $10.7M | $31.7M | 3.00x | $48.6M | — | 57% | — |
 The Insider | 1999 | $6.7M | $29.0M | 4.30x | $60.3M | — | 96% | — |
 All the Money in the World | 2017 | $5.6M | $25.1M | 4.50x | $56.9M | B | 79% | — |
 Dolores Claiborne | 1995 | $5.7M | $24.3M | 4.20x | — | — | 87% | — |
 Cold Creek Manor | 2003 | $8.2M | $21.4M | 2.60x | $29.1M | — | 12% | — |
 The New World | 2005 | $20K | $12.7M | 3.20x | $26.2M | — | 63% | — |
 The Imaginarium of Doctor Parnassus | 2009 | $334K | $7.7M | 4.40x | $64.4M | — | 63% | — |
 Beginners | 2011 | $141K | $5.8M | — | $14.3M | — | 86% | — |
 The Man Who Would Be King | 1975 | — | — | — | — | — | 97% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M$750M
DomesticInternationalColumn height is worldwide · one film every 2.3 years
Profitability
Return on budget
3.5x
$2.963B worldwide on $856.4M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.423BInternational $1.539B
Return by film
Worldwide ÷ budget0x2.5x breakeven15.6x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#12Biggest 9th weekendsA Beautiful Mind$8.1M#12Biggest original filmsUp$293.0M#17Biggest Thanksgiving openingsKnives Out$41.4M#20All-time G domesticThe Sound of Music$164.8M
4 placings across 4 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
