Actor
Colin FarrellFollow
31 films•2002–2022•Drama · Crime · Action
Avg critics63%
Avg audience61%
Avg domestic$60.5M
Domestic
$1.874B
Lifetime
Worldwide
$4.502B
Lifetime
Avg opening
$19.0M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 The Batman | 2022 | $134.0M | $369.6M | 2.80x | $772.5M | A | 85% | #7 |
 Fantastic Beasts and Where to Find Them | 2016 | $74.4M | $234.0M | 3.14x | $816.0M | A | 74% | #12 |
 Minority Report | 2002 | $35.7M | $132.0M | 3.70x | $358.0M | B+ | 89% | #16 |
 Horrible Bosses | 2011 | $28.3M | $118.0M | 4.15x | $210.0M | B+ | 69% | #23 |
 S.W.A.T. | 2003 | $37.1M | $117.0M | 3.16x | $208.0M | A | 48% | #19 |
 Dumbo | 2019 | $46.0M | $114.8M | 2.50x | $353.2M | A- | 46% | #23 |
 Epic | 2013 | $33.5M | $108.0M | 3.21x | $268.0M | A | 65% | #30 |
 Daredevil | 2003 | $40.3M | $103.0M | 2.54x | $179.0M | B | 42% | #28 |
 Saving Mr. Banks | 2013 | $9.3M | $83.3M | 8.91x | $115.0M | A | 79% | #43 |
 Miami Vice | 2006 | $25.7M | $63.5M | 2.47x | $164.0M | B- | 47% | #43 |
 Total Recall | 2012 | $25.6M | $58.9M | 2.30x | $198.0M | C+ | 30% | — |
 The Recruit | 2003 | $16.3M | $52.8M | 3.20x | $101.2M | — | 43% | — |
 Phone Booth | 2002 | $15.0M | $46.6M | 3.10x | $97.8M | — | 72% | — |
 Widows | 2018 | $12.4M | $42.4M | 3.40x | $76.0M | — | 91% | — |
 Crazy Heart | 2009 | $83K | $39.5M | 11.1x | $47.4M | — | 90% | — |
 Alexander | 2004 | $13.7M | $34.3M | 2.51x | $167.0M | D+ | 15% | — |
 Hart's War | 2002 | $7.8M | $19.1M | 2.50x | $33.1M | — | 60% | — |
 Fright Night | 2011 | $8.1M | $18.3M | 2.30x | $40.5M | — | 72% | — |
 Pride and Glory | 2008 | $6.3M | $15.7M | 2.50x | $32.3M | — | 35% | — |
 Seven Psychopaths | 2012 | $4.2M | $15.0M | 3.60x | $33.0M | — | 82% | — |
 The New World | 2005 | $20K | $12.7M | 3.20x | $26.2M | — | 63% | — |
 Winter's Tale | 2014 | $7.3M | $12.6M | 1.70x | $29.6M | — | 12% | — |
 Roman J. Israel, Esq. | 2017 | $62K | $12.0M | 2.70x | $13.0M | — | 55% | — |
 Dead Man Down | 2013 | $5.3M | $10.9M | 2.00x | $19.6M | — | 42% | — |
 The Banshees of Inisherin | 2022 | $184K | $10.6M | 5.20x | $52.3M | — | 96% | — |
 The Beguiled | 2017 | $229K | $10.6M | 3.40x | $28.0M | — | 79% | — |
 The Lobster | 2015 | $50K | $9.2M | 6.30x | $18.0M | — | 87% | — |
 In Bruges | 2008 | $457K | $7.8M | 8.00x | $34.5M | — | 84% | — |
 The Killing of a Sacred Deer | 2017 | $115K | $2.3M | 5.00x | $10.7M | — | 79% | — |
 Thirteen Lives | 2022 | — | — | — | — | — | 85% | — |
 Solace | 2015 | — | — | — | — | — | 24% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M$750M
DomesticInternationalColumn height is worldwide · one film every 0.7 years
Profitability
Return on budget
2.5x
$4.390B worldwide on $1.790B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.819BInternational $2.571B
Return by film
Worldwide ÷ budget0x2.5x breakeven8.9x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records2 placings across 2 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.