Studio
A24
49 films•2013–2026•Drama · Horror · Thriller
87%average critics76%average audience$18.3Mdomestic average
Films
20
2015–2026
Domestic
$895.8M
lifetime
Worldwide
$1.65B
lifetime
Avg opening
$4.3M
3-day
Avg legs
6.26x
opening → total
Return
4.5x
on $260.5M of budget
Box Office Watch tracks 49 A24 releases from 2013 to 2026, together grossing $895.8M domestic and $1.65B worldwide. The biggest hit is Backrooms (2026) at $393.1M worldwide, which also had the biggest opening weekend, $81.4M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| Backrooms | 2026 | $81.4M | $197.5M | 2.40x | $393.1M | B- | 89% | #9 |
 The Invite | 2026 | $5.9M | $25.9M | 4.40x | $40.6M | — | 96% | #36 |
 Warfare | 2025 | $8.3M | $25.8M | 3.10x | $33.2M | — | 92% | — |
 Bring Her Back | 2025 | $7.1M | $19.3M | 2.70x | $39.1M | B+ | 89% | — |
 Eternity | 2025 | $3.2M | $16.2M | 5.10x | $22.8M | — | 76% | — |
 Babygirl | 2024 | $4.5M | $28.2M | 6.30x | $63.7M | B- | 76% | #51 |
 Heretic | 2024 | $10.8M | $27.7M | 2.60x | $58.1M | — | 89% | — |
 We Live in Time | 2024 | $4.2M | $24.7M | 5.90x | $57.1M | — | 79% | — |
 The Brutalist | 2024 | $2.7M | $16.2M | 6.10x | $51.3M | — | 93% | — |
 MaXXXine | 2024 | $6.7M | $15.1M | 2.30x | $22.1M | — | 73% | — |
| Talk to Me | 2023 | $10.4M | $48.3M | 4.60x | $92.2M | B+ | 94% | #51 |
 The Iron Claw | 2023 | $4.9M | $35.6M | 7.30x | $46.1M | — | 89% | — |
 Priscilla | 2023 | $132K | $20.9M | 157.9x | $31.0M | — | 84% | — |
 The Green Knight | 2021 | $6.8M | $17.1M | 2.50x | $20.0M | B | 90% | #47 |
| Uncut Gems | 2019 | $537K | $50.0M | 93.1x | $50.0M | — | 91% | — |
 Midsommar | 2019 | $6.6M | $27.4M | 4.20x | $46.7M | — | 83% | — |
| Lady Bird | 2017 | $4.1M | $49.0M | 12.1x | $80.1M | — | 99% | — |
 The Disaster Artist | 2017 | $6.4M | $21.1M | 3.30x | $28.7M | — | 90% | — |
 Moonlight | 2016 | $402K | $27.9M | 69.3x | $64.8M | — | 98% | — |
 The Witch | 2015 | $8.8M | $25.1M | 2.90x | $40.4M | — | 91% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on Budget
4.5x
$1.18B worldwide on $260.5M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $641.7MInternational $538.8M
Return by film · worldwide ÷ budget
0x2.5x breakeven43.2x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records →2 placings across 2 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full schedule →
Connected
Directors
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis →
Week 22 · RecapBackrooms smashes A24 record at $81.5M; Obsession grows again in its 3rd weekend; Mandalorian drops 69%May 29–31, 2026
Special Coverage · Summer 2026Summer 2026 Recap: the hits, the flops, the breakouts, and the winners and losers of the seasonAugust 20, 2026
Long-Range · May 2026May 2026 preview: Streep, Sheep, and StormtroopersApril 13, 2026