Actor
Crispin Glover
4 films•1985–2010•Adventure · Science Fiction · Biography
74%average critics72%average audience$157.4Mdomestic average
Films
4
1985–2010
Domestic
$629.5M
lifetime
Worldwide
$1.49B
lifetime
Avg opening
$35.5M
3-day
Avg legs
3.24x
opening → total
Return
5.9x
on $255.0M of budget
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Alice in Wonderland | 2010 | $116.0M | $334.0M | 2.88x | $1.03B | A- | 51% | #2 |
 Back to the Future | 1985 | $11.3M | $225.0M | — | $398.2M | — | 93% | — |
 Hot Tub Time Machine | 2010 | $14.0M | $50.3M | 3.60x | $66.0M | — | 64% | — |
 The People vs. Larry Flynt | 1996 | $523K | $20.2M | 38.6x | — | — | 88% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$500M$1B
DomesticInternationalColumn height is worldwide · one film every 8.3 years
Profitability
Return on Budget
5.9x
$1.49B worldwide on $255.0M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $609.3MInternational $884.9M
Return by film · worldwide ÷ budget
0x2.5x breakeven10.3x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records →#6Most weeks at #1Back to the Future11 weeks#6Biggest March openingsAlice in Wonderland$116.1M#7Most weekends in the top 10Back to the Future25 weekends#14Best second-weekend holds ($100M+ openers)Alice in Wonderland−46.0%#16Biggest PG openingsAlice in Wonderland$116.1M
5 placings across 5 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.