Actor
Hugh JackmanFollow
32 films•2000–2026•Action · Adventure · Drama
Avg critics62%
Avg audience71%
Avg domestic$108.2M
Domestic
$3.462B
Lifetime
Worldwide
$8.339B
Lifetime
Avg opening
$35.3M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Deadpool & Wolverine | 2024 | $211.4M | $636.8M | 3.00x | $1.338B | A | 81% | #2 |
 X-Men: The Last Stand | 2006 | $103.0M | $234.4M | 2.28x | $459.3M | A- | 56% | #4 |
 X-Men: Days of Future Past | 2014 | $90.8M | $233.9M | 2.58x | $747.9M | A | 90% | #9 |
 Logan | 2017 | $88.4M | $226.3M | 2.56x | $614.2M | A | 93% | #11 |
 X2: X-Men United | 2003 | $85.6M | $214.9M | 2.51x | $406.3M | A | 85% | #6 |
 Happy Feet | 2006 | $41.5M | $198.0M | 4.77x | $384.0M | A- | 76% | #7 |
 X-Men Origins: Wolverine | 2009 | $85.1M | $179.9M | 2.11x | $374.8M | B+ | 37% | #13 |
 The Greatest Showman | 2017 | $8.8M | $174.3M | 19.8x | $459.5M | A | 56% | #18 |
 X-Men | 2000 | $54.5M | $157.3M | 2.89x | $296.9M | A- | 82% | #8 |
 Les Misérables | 2012 | $18.1M | $149.0M | 8.22x | $442.0M | A | 70% | #18 |
 The Wolverine | 2013 | $53.1M | $132.6M | 2.50x | $416.5M | A- | 71% | #22 |
 Van Helsing | 2004 | $51.7M | $120.0M | 2.32x | $300.0M | B | 24% | #16 |
 Rise of the Guardians | 2012 | $23.8M | $103.0M | 4.35x | $307.0M | A | 75% | #31 |
 Real Steel | 2011 | $27.3M | $85.5M | 3.13x | $299.0M | A | 60% | #34 |
 Swordfish | 2001 | $18.1M | $69.8M | 3.85x | $147.0M | B | 27% | #35 |
 The Sheep Detectives | 2026 | $15.1M | $66.1M | 4.40x | $133.2M | A- | 93% | #25 |
 Flushed Away | 2006 | $18.8M | $64.7M | 3.44x | $178.0M | B+ | 72% | #41 |
 Prisoners | 2013 | $20.8M | $61.0M | 2.90x | $113.3M | — | 81% | — |
 The Prestige | 2006 | $14.8M | $53.1M | 3.60x | $104.4M | — | 76% | — |
 Australia | 2008 | $14.8M | $49.6M | 3.35x | $212.0M | A- | 53% | — |
 Kate & Leopold | 2001 | $9.7M | $47.1M | 4.80x | $70.9M | — | 52% | — |
 Song Sung Blue | 2025 | $7.1M | $39.2M | 5.50x | $58.2M | — | 77% | — |
 Pan | 2015 | $15.3M | $35.1M | 2.30x | $151.5M | — | 27% | — |
 Chappie | 2015 | $13.3M | $31.6M | 2.40x | $105.0M | — | 32% | — |
 Someone Like You | 2001 | $10.0M | $27.3M | 2.70x | $38.7M | — | 41% | — |
 Missing Link | 2019 | $5.9M | $16.6M | 2.80x | $25.4M | — | 88% | — |
 Eddie the Eagle | 2016 | $6.1M | $15.8M | 2.60x | $45.0M | — | 82% | — |
 Scoop | 2006 | $3.0M | $10.5M | 3.50x | $40.1M | — | 42% | — |
 The Fountain | 2006 | $3.8M | $10.1M | 2.70x | $15.5M | — | 52% | — |
 Movie 43 | 2013 | $4.8M | $8.8M | 1.80x | $31.2M | — | 5% | — |
 The Death of Robin Hood | 2026 | $2.9M | $5.4M | 1.90x | $8.1M | C+ | 75% | #94 |
 Reminiscence | 2021 | $1.9M | $3.9M | 2.00x | $16.4M | — | 37% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$500M$1B
DomesticInternationalColumn height is worldwide · one film every 0.8 years
Profitability
Return on budget
2.9x
$8.314B worldwide on $2.854B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $3.445BInternational $4.869B
Return by film
Worldwide ÷ budget0x2.5x breakeven10.0x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#1Biggest R openingsDeadpool & Wolverine$211.4M#1All-time R domesticDeadpool & Wolverine$636.7M#2Biggest July openingsDeadpool & Wolverine$211.4M#5Biggest Memorial Day openingsX-Men: The Last Stand$122.9M#7Biggest March openingsLogan$88.4M#9Biggest Memorial Day openingsX-Men: Days of Future Past$110.6M#10Biggest R openingsLogan$88.4M#17All-time R domesticLogan$226.3M#18Biggest May openingsX-Men: The Last Stand$102.8M#20Biggest grossers never #1The Greatest Showman$174.3M
Top 10 of 20 placings across 17 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.
