Actor
Jason Sudeikis
14 films•2008–2019•Comedy · Romance · Crime
47%average critics58%average audience$67.8Mdomestic average
Films
14
2008–2019
Domestic
$949.4M
lifetime
Worldwide
$2.06B
lifetime
Avg opening
$18.7M
3-day
Avg legs
3.55x
opening → total
Return
3.0x
on $676.0M of budget
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 We're the Millers | 2013 | $26.4M | $150.0M | 5.69x | $268.0M | A- | 48% | #16 |
 Horrible Bosses | 2011 | $28.3M | $118.0M | 4.15x | $210.0M | B+ | 69% | #23 |
 Epic | 2013 | $33.5M | $108.0M | 3.21x | $268.0M | A | 65% | #30 |
 The Angry Birds Movie | 2016 | $38.3M | $107.5M | 2.81x | $352.2M | B+ | 44% | #26 |
 The Campaign | 2012 | $26.6M | $86.9M | 3.27x | $105.0M | B- | 66% | #34 |
 What Happens in Vegas | 2008 | $20.2M | $80.3M | 3.98x | $219.0M | — | 25% | #38 |
 The Bounty Hunter | 2010 | $20.7M | $67.1M | 3.24x | $136.0M | B- | 13% | #48 |
 Horrible Bosses 2 | 2014 | $15.5M | $54.4M | 3.50x | $105.9M | — | 35% | — |
 Hall Pass | 2011 | $13.5M | $45.1M | 3.30x | $87.2M | — | 32% | — |
 The Angry Birds Movie 2 | 2019 | $10.4M | $41.7M | 4.00x | $152.3M | B+ | 72% | — |
 Mother's Day | 2016 | $8.4M | $32.5M | 3.90x | $52.4M | — | 8% | — |
 Booksmart | 2019 | $6.9M | $22.7M | 3.30x | $24.9M | — | 96% | — |
 Going the Distance | 2010 | $6.9M | $17.8M | 2.60x | $43.6M | — | 54% | — |
 Masterminds | 2016 | $6.5M | $17.4M | 2.70x | $30.9M | — | 34% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$100M$200M$300M
DomesticInternationalColumn height is worldwide · one film every 0.8 years
Profitability
Return on Budget
3.0x
$2.06B worldwide on $676.0M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $949.4MInternational $1.11B
Return by film · worldwide ÷ budget
0x2.5x breakeven7.2x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records →1 placing across 1 all-time chart. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full schedule →
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.