Actor
Jon Bernthal
14 films•2013–2026•Drama · Action · Crime
76%average critics84%average audience$105.6Mdomestic average
Films
14
2013–2026
Domestic
$1.48B
lifetime
Worldwide
$3.51B
lifetime
Avg opening
$34.5M
3-day
Avg legs
4.28x
opening → total
Return
4.9x
on $717.8M of budget
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Spider-Man: Brand New Day | 2026 | $360.1M | $955.0M | 2.70x | $2.51B | A | 90% | #1 |
 Ford v Ferrari | 2019 | $31.5M | $117.6M | 3.73x | $226.3M | A+ | 92% | #22 |
 The Accountant | 2016 | $24.7M | $86.3M | 3.49x | $155.6M | A | 53% | #36 |
 Fury | 2014 | $23.8M | $85.8M | 3.61x | $210.2M | A- | 76% | #39 |
 The Accountant 2 | 2025 | $22.0M | $65.5M | 3.00x | $103.0M | A- | 75% | #34 |
 Sicario | 2015 | $401K | $46.9M | 3.90x | $84.3M | — | 91% | — |
 Wind River | 2017 | $162K | $33.8M | 11.4x | $45.0M | — | 87% | — |
 Grudge Match | 2013 | $7.0M | $29.8M | 4.20x | $69.8M | B+ | 31% | — |
 The Peanut Butter Falcon | 2019 | $205K | $20.5M | 6.90x | $23.2M | — | 95% | — |
 King Richard | 2021 | $5.4M | $15.1M | 2.80x | $39.5M | A | 90% | — |
 The Many Saints of Newark | 2021 | $4.7M | $8.2M | 1.80x | $13.0M | — | 72% | — |
 Those Who Wish Me Dead | 2021 | $2.8M | $7.4M | 2.60x | $19.1M | — | 63% | — |
 Me and Earl and the Dying Girl | 2015 | $196K | $6.8M | 5.50x | $9.3M | — | 81% | — |
 Shot Caller | 2017 | — | — | — | $2.8M | — | 69% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$1B$2B
DomesticInternationalColumn height is worldwide · one film every 1.0 years
Profitability
Return on Budget
4.9x
$3.49B worldwide on $717.8M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $1.47BInternational $2.02B
Return by film · worldwide ÷ budget
0x2.5x breakeven8.2x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records →#1Biggest domestic runsSpider-Man: Brand New Day$955.0M#1Biggest opening weekendsSpider-Man: Brand New Day$360.1M#1Biggest single daysSpider-Man: Brand New Day$169.8M
Top 3 of 14 placings across 14 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Studios
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis →
Long-Range · August 2026August 2026 preview: Spiders, Sequels and a Long TailJuly 20, 2026
Week 31 · RecapBrand New Day takes the all-time record with $360M; The Odyssey holds at $51MJuly 31–August 2, 2026Week 32 · RecapBrand New Day’s $145M second weekend is third-biggest ever; Odyssey clears $1.1BAugust 7–9, 2026Comparisons
Build your own →
Chasing The CrownBrand New Day vs the top 3 all-timeA $360M opening against the three biggest domestic runs ever — The Force Awakens’ $936.7M, Endgame’s $894.7M and No Way Home’s $814.8M.
The Holland EraHomecoming vs Far From Home vs No Way Home vs Brand New DayAll four Holland launches — $117.0M, $92.6M and No Way Home’s $260.0M, now Brand New Day’s record $168.0M opening day.