Actor
Matt DamonFollow
46 films•1992–2026•Drama · Thriller · Action
Avg critics70%
Avg audience69%
Avg domestic$95.6M
Domestic
$4.304B
Lifetime
Worldwide
$10.175B
Lifetime
Avg opening
$23.2M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 The Odyssey | 2026 | $123.5M | $625.4M | 5.10x | $1.792B | A | 96% | #2 |
 Oppenheimer | 2023 | $82.5M | $330.1M | 4.00x | $983.1M | A | 92% | #5 |
 The Martian | 2015 | $54.3M | $228.4M | 4.21x | $653.6M | A+ | 91% | #9 |
 The Bourne Ultimatum | 2007 | $69.3M | $227.5M | 3.28x | $444.0M | A | 92% | #7 |
 Interstellar | 2014 | $47.5M | $204.5M | 4.30x | $642.5M | A- | 73% | #16 |
 Ocean's Eleven | 2001 | $38.1M | $183.4M | 4.81x | $450.7M | B+ | 83% | #8 |
 The Bourne Supremacy | 2004 | $52.5M | $176.1M | 3.35x | $311.0M | A- | 81% | #8 |
 True Grit | 2010 | $24.8M | $171.0M | 6.90x | $252.0M | B+ | 95% | #13 |
 Jason Bourne | 2016 | $59.2M | $162.2M | 2.74x | $416.2M | A- | 54% | #15 |
 Good Will Hunting | 1997 | $273K | $138.4M | 13.5x | $225.9M | — | 97% | — |
 The Departed | 2006 | $26.9M | $132.0M | 4.92x | $291.0M | A- | 91% | #15 |
 Ocean's Twelve | 2004 | $39.2M | $125.5M | 3.20x | $363.0M | B- | 55% | #14 |
 The Bourne Identity | 2002 | $27.1M | $121.5M | 4.48x | $214.4M | A- | 84% | #20 |
 Ford v Ferrari | 2019 | $31.5M | $117.6M | 3.73x | $226.3M | A+ | 92% | #22 |
 Ocean's Thirteen | 2007 | $36.1M | $117.1M | 3.24x | $311.7M | B+ | 70% | #26 |
 Elysium | 2013 | $29.8M | $93.1M | 3.12x | $286.0M | B | 64% | #38 |
 The Talented Mr. Ripley | 1999 | $12.7M | $81.3M | 6.40x | $128.8M | — | 85% | — |
 The Monuments Men | 2014 | $22.0M | $78.0M | 3.54x | $158.7M | B+ | 32% | #44 |
 Contagion | 2011 | $22.4M | $75.7M | 3.38x | $137.0M | B- | 85% | #44 |
 We Bought a Zoo | 2011 | $9.4M | $75.6M | 8.08x | $119.0M | A | 64% | #45 |
 Spirit: Stallion of the Cimarron | 2002 | $17.8M | $73.3M | 4.12x | $123.0M | A | 69% | #37 |
 The Adjustment Bureau | 2011 | $21.2M | $62.5M | 3.00x | $126.9M | — | 71% | — |
 The Good Shepherd | 2006 | $9.9M | $60.0M | 6.05x | $100.0M | B- | 56% | #50 |
 Courage Under Fire | 1996 | $12.5M | $59.0M | 4.70x | $100.8M | A | 86% | — |
 Air | 2023 | $14.5M | $52.5M | 3.60x | $90.0M | A | 92% | #48 |
 Syriana | 2005 | $11.7M | $50.8M | 4.30x | $92.7M | — | 73% | — |
 The Rainmaker | 1997 | $10.6M | $47.2M | 4.40x | — | — | 82% | — |
 The Great Wall | 2017 | $18.5M | $45.2M | 2.40x | $334.5M | — | 36% | — |
 The Brothers Grimm | 2005 | $15.1M | $37.9M | 2.50x | $105.0M | C | 38% | — |
 Invictus | 2009 | $8.6M | $37.5M | 4.35x | $122.0M | A- | 76% | — |
 Green Zone | 2010 | $14.3M | $35.5M | 2.50x | $97.5M | B- | 53% | — |
 Stuck on You | 2003 | $9.4M | $33.8M | 3.60x | $63.5M | — | 61% | — |
 The Informant! | 2009 | $10.5M | $33.3M | 3.20x | $41.8M | C- | 79% | — |
 Hereafter | 2010 | $220K | $32.7M | 2.70x | $108.7M | — | 48% | — |
 Dogma | 1999 | $8.7M | $31.7M | — | $45.0M | — | 72% | — |
 The Legend of Bagger Vance | 2000 | $11.5M | $30.7M | 2.70x | $39.2M | — | 43% | — |
 Downsizing | 2017 | $5.0M | $24.4M | 4.90x | $54.5M | C | 47% | — |
 Rounders | 1998 | $8.5M | $22.9M | 2.70x | $22.9M | — | 63% | — |
 Titan A.E. | 2000 | $9.4M | $22.8M | 2.40x | $36.8M | — | 51% | — |
 School Ties | 1992 | $3.0M | $14.7M | 4.90x | — | — | 60% | — |
 Stillwater | 2021 | $5.2M | $14.5M | 2.80x | $17.2M | — | 75% | — |
 The Last Duel | 2021 | $4.8M | $10.9M | 2.30x | $30.6M | — | 85% | — |
 Suburbicon | 2017 | $2.8M | $5.8M | 2.00x | $15.5M | — | 27% | — |
 The Rip | 2026 | — | — | — | — | — | 77% | — |
 The Instigators | 2024 | — | — | — | — | — | 41% | — |
 Behind the Candelabra | 2013 | — | — | — | — | — | 94% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$500M$1B$1.5B
DomesticInternationalColumn height is worldwide · one film every 0.8 years
Profitability
Return on budget
3.3x
$10.158B worldwide on $3.110B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $4.228BInternational $5.930B
Return by film
Worldwide ÷ budget0x2.5x breakeven19.7x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#1Best second-weekend holds ($100M+ openers)The Odyssey−27.1%#1Biggest grossers never #1Oppenheimer$330.1M#2All-time R domesticThe Odyssey$625.4M#2Biggest openings not at #1Oppenheimer$82.5M#3Biggest August openingsThe Bourne Ultimatum$69.3M#4Biggest R openingsThe Odyssey$123.5M#7All-time R domesticOppenheimer$330.1M#10Biggest 9th weekendsGood Will Hunting$8.4M#10Biggest October openingsThe Martian$54.3M#10Biggest grossers never #1Interstellar$204.5M
Top 10 of 29 placings across 23 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
Week 30 · RecapThe Odyssey posts $90M on a 27% hold, best of Nolan's career; $289.4M in 10 days puts $500M in viewJuly 24–26, 2026
Week 29 · RecapThe Odyssey opens to $123.5M — Nolan's biggest debut outside the Dark Knight trilogyJuly 17–19, 2026
Week 31 · RecapBrand New Day takes the all-time record with $360M; The Odyssey holds at $51MJuly 31–August 2, 2026
