Studio
MiramaxFollow
104 films•1967–2015•Drama · Comedy · Crime
Avg critics76%
Avg audience78%
Avg domestic$30.8M
Domestic
$3.208B
Lifetime
Worldwide
$6.762B
Lifetime
Avg opening
$4.0M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| Chicago | 2003 | $2.1M | $171.0M | 20.8x | $307.0M | — | 87% | #8 |
| Scary Movie | 2000 | $42.3M | $157.0M | 3.71x | $277.2M | B- | 52% | #9 |
| Good Will Hunting | 1997 | $273K | $138.4M | 13.5x | $225.9M | — | 97% | — |
| Spy Kids | 2001 | $26.5M | $112.7M | 4.25x | $197.7M | A | 92% | #18 |
 The Aviator | 2004 | $858K | $103.0M | 11.9x | $214.0M | B+ | 86% | #22 |
 Pulp Fiction | 1994 | $9.3M | $102.0M | 10.9x | $214.0M | B+ | 92% | — |
 Shakespeare in Love | 1998 | $224K | $100.3M | 23.7x | $289.3M | — | 93% | — |
 The Others | 2001 | $14.1M | $96.5M | 6.85x | $210.0M | B | 84% | #21 |
 Cold Mountain | 2003 | $14.6M | $95.6M | 6.60x | $173.0M | B | 69% | #31 |
 The English Patient | 1996 | $278K | $78.7M | — | $231.7M | — | 86% | — |
 Gangs of New York | 2002 | $9.5M | $77.8M | 8.20x | $194.0M | B | 72% | #34 |
 No Country for Old Men | 2007 | $1.2M | $74.3M | 9.60x | $172.0M | — | 93% | #35 |
 Bridget Jones's Diary | 2001 | $10.7M | $71.5M | 6.67x | $282.0M | B+ | 80% | #31 |
 Chocolat | 2000 | $3.4M | $71.5M | 23.1x | $153.0M | A | 63% | #31 |
 Scary Movie 2 | 2001 | $20.5M | $71.3M | 3.48x | $141.2M | B | 13% | #32 |
 Kill Bill: Vol. 1 | 2003 | $22.1M | $70.1M | 3.20x | $181.0M | B+ | 85% | #41 |
 Kill Bill: Vol. 2 | 2004 | $25.1M | $66.2M | 2.60x | $152.0M | A- | 84% | #43 |
 The Crying Game | 1992 | $101K | $62.5M | 12.0x | — | — | 95% | — |
 Shall We Dance? | 2004 | $11.8M | $57.9M | 4.90x | $170.0M | — | 46% | — |
 Life Is Beautiful | 1998 | $119K | $57.6M | 24.5x | $229.3M | — | 80% | — |
 The Cider House Rules | 1999 | $110K | $57.5M | 18.7x | $88.5M | — | 72% | — |
 The Queen | 2006 | $122K | $56.4M | 19.4x | $123.0M | — | 97% | — |
 Finding Neverland | 2004 | $221K | $51.7M | 11.1x | $117.0M | A | 83% | — |
 The Crow | 1994 | $11.8M | $50.6M | 4.30x | $52.3M | — | 88% | — |
 Serendipity | 2001 | $13.3M | $50.3M | 3.80x | $77.5M | B+ | 58% | — |
 Kate & Leopold | 2001 | $9.7M | $47.1M | 4.80x | $70.9M | — | 52% | — |
 Cop Land | 1997 | $13.5M | $44.9M | 3.30x | $63.7M | B- | 75% | — |
 The Piano | 1993 | $151K | $40.3M | 16.5x | $40.4M | — | 90% | — |
 Jackie Brown | 1997 | $9.3M | $39.7M | 4.30x | $74.7M | — | 88% | — |
 40 Days and 40 Nights | 2002 | $12.2M | $38.0M | 3.10x | $95.1M | A | 40% | — |
 In the Bedroom | 2001 | $94K | $35.9M | 12.6x | $44.8M | — | 93% | — |
 Hostage | 2005 | $10.2M | $34.6M | 3.40x | $77.6M | — | 35% | — |
 Doubt | 2008 | $507K | $33.4M | 6.30x | $53.2M | — | 79% | — |
 Amélie | 2001 | $136K | $33.2M | 243.5x | $174.0M | — | 90% | — |
 Dracula 2000 | 2000 | $8.6M | $33.0M | 3.80x | $47.0M | — | 19% | — |
 Halloween: Resurrection | 2002 | $12.3M | $30.3M | 2.50x | $37.7M | — | 10% | — |
 The Switch | 2010 | $8.4M | $27.8M | 3.30x | $49.9M | — | 54% | — |
 Frida | 2002 | $206K | $25.9M | 8.90x | $56.1M | — | 77% | — |
 From Dusk Till Dawn | 1996 | $10.2M | $25.7M | 2.50x | $25.7M | — | 65% | — |
 Captain Corelli's Mandolin | 2001 | $7.2M | $25.5M | 3.50x | $62.1M | — | 28% | — |
 Jersey Girl | 2004 | $8.3M | $25.3M | 3.00x | $37.1M | — | 42% | — |
 sex, lies, and videotape | 1989 | $156K | $24.7M | 158.6x | $36.7M | — | 96% | — |
 Sling Blade | 1996 | $3.0M | $24.4M | 8.10x | — | — | 96% | — |
 Don't Be Afraid of the Dark | 2010 | $8.5M | $24.0M | 2.80x | $39.1M | — | 61% | — |
 Reindeer Games | 2000 | $8.1M | $23.4M | 2.90x | $32.2M | — | 25% | — |
 Ella Enchanted | 2004 | $6.2M | $22.9M | 3.70x | $24.2M | — | 51% | — |
 Rounders | 1998 | $8.5M | $22.9M | 2.70x | $22.9M | — | 63% | — |
 Emma | 1996 | $241K | $22.2M | — | $37.8M | — | 84% | — |
 Il Postino: The Postman | 1995 | $95K | $21.8M | — | $21.8M | — | 92% | — |
 Like Water for Chocolate | 1991 | — | $21.7M | — | — | — | 88% | — |
 Gone Baby Gone | 2007 | $5.5M | $20.3M | 3.70x | $34.4M | — | 94% | — |
 Becoming Jane | 2007 | $972K | $18.7M | 6.40x | $39.4M | — | 58% | — |
 Princess Mononoke | 1997 | $144K | $17.8M | — | $231.4M | — | 93% | — |
 Mr. Holmes | 2015 | $2.4M | $17.7M | 6.20x | $30.2M | — | 88% | — |
 Trainspotting | 1996 | $263K | $16.5M | 11.8x | $71.5M | — | 90% | — |
 Confessions of a Dangerous Mind | 2002 | $87K | $16.0M | 2.70x | $33.0M | — | 80% | — |
 Muriel's Wedding | 1994 | $245K | $15.2M | 5.80x | — | — | 82% | — |
 My Left Foot | 1989 | $41K | $14.7M | — | $14.7M | — | 98% | — |
 Bullets Over Broadway | 1994 | $86K | $13.4M | — | $13.4M | — | 95% | — |
 Marvin's Room | 1996 | $60K | $12.8M | — | — | — | 83% | — |
 Chasing Amy | 1997 | $52K | $12.0M | 7.30x | $15.2M | — | 86% | — |
 Sliding Doors | 1998 | $835K | $11.9M | 7.30x | $58.8M | — | 65% | — |
 Strictly Ballroom | 1992 | — | $11.7M | — | — | — | 89% | — |
 Drunken Master II | 2000 | $3.8M | $11.5M | 3.00x | — | — | 85% | — |
 Extract | 2009 | $4.3M | $10.8M | 2.50x | — | — | 62% | — |
 Duplex | 2003 | $4.3M | $9.7M | 2.20x | $10.1M | — | 36% | — |
 Everybody's Fine | 2009 | $3.9M | $9.2M | 2.40x | $16.4M | — | 47% | — |
 The Barbarian Invasions | 2003 | — | $8.5M | — | $25.9M | — | 81% | — |
 City of God | 2002 | $88K | $7.6M | 17.2x | $32.1M | — | 91% | — |
 Mighty Aphrodite | 1995 | $326K | $6.4M | — | $26.0M | — | 78% | — |
 The Diving Bell and the Butterfly | 2007 | $76K | $6.0M | 13.6x | $22.8M | — | 94% | — |
 The Station Agent | 2003 | $58K | $5.8M | 13.4x | $9.5M | — | 94% | — |
 Kolya | 1996 | $38K | $5.8M | 12.9x | — | — | 96% | — |
 Iris | 2001 | $23K | $5.6M | — | $16.2M | — | 79% | — |
 Farewell My Concubine | 1993 | $106K | $5.5M | — | $6.6M | — | 90% | — |
 The Magdalene Sisters | 2002 | $85K | $4.9M | 7.80x | $25.2M | — | 91% | — |
 Swingers | 1996 | $74K | $4.5M | 8.50x | $6.6M | — | 87% | — |
 Mindhunters | 2004 | $1.9M | $4.5M | 2.30x | — | — | 25% | — |
 Four Rooms | 1995 | $1.3M | $4.3M | 3.40x | — | — | 13% | — |
 East Is East | 1999 | $54K | $4.2M | 10.6x | $30.4M | — | 78% | — |
 Mediterraneo | 1991 | — | $4.0M | — | — | — | 80% | — |
 The Chorus | 2004 | $40K | $3.6M | 28.5x | $83.5M | — | 68% | — |
 Three Colours: Red | 1994 | — | $3.6M | — | $3.6M | — | 100% | — |
 Malena | 2000 | $62K | $3.4M | 10.7x | — | — | 54% | — |
 Heavenly Creatures | 1994 | — | $3.0M | — | $5.4M | — | 95% | — |
 Tsotsi | 2005 | $76K | $2.9M | 9.70x | $11.5M | — | 82% | — |
 eXistenZ | 1999 | $810K | $2.8M | 3.50x | — | — | 77% | — |
 Reservoir Dogs | 1992 | $148K | $2.8M | 19.2x | $3.0M | — | 90% | — |
 Brassed Off | 1996 | $53K | $2.6M | 8.10x | — | — | 79% | — |
 Pelle the Conqueror | 1987 | — | $2.0M | — | — | — | 84% | — |
 The Double Life of Véronique | 1991 | — | $2.0M | — | — | — | 86% | — |
 Delicatessen | 1991 | — | $1.8M | — | — | — | 90% | — |
 Three Colors: White | 1994 | — | $1.5M | — | — | — | 91% | — |
 Three Colors: Blue | 1993 | — | $1.3M | — | — | — | 96% | — |
 The Son's Room | 2001 | $5K | $1.0M | 16.0x | $11.7M | — | 85% | — |
 The Castle | 1997 | $29K | $1.0M | 8.70x | — | — | 87% | — |
 Dead Man | 1995 | $105K | $1.0M | 7.30x | $1.1M | — | 69% | — |
 Children of Heaven | 1997 | $20K | $934K | 14.2x | $1.6M | — | 83% | — |
 The Blind Swordsman: Zatoichi | 2003 | $61K | $854K | — | $30.9M | — | 87% | — |
 The Visitors | 1993 | $25K | $659K | — | $98.8M | — | 31% | — |
 Shaolin Soccer | 2001 | $39K | $489K | 12.3x | $42.8M | — | 89% | — |
 Chungking Express | 1994 | — | $332K | — | $1.3M | — | 89% | — |
 The Young Girls of Rochefort | 1967 | — | $92K | — | — | — | 98% | — |
 Infernal Affairs | 2004 | $26K | $90K | 3.50x | — | — | 94% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
4.2x
$6.576B worldwide on $1.572B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.909BInternational $3.667B
Return by film
Worldwide ÷ budget0x2.5x breakeven66.2x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#8Biggest 8th weekendsChicago$12.6M#10Biggest 9th weekendsGood Will Hunting$8.4M#10Biggest 10th weekendsShakespeare in Love$7.9M
Top 3 of 6 placings across 3 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Directors
Series
Counted from this filmography. The number is how many of these films each one accounts for.
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