Actor
Tom Wilkinson
14 films•1997–2016•Drama · Crime · Thriller
71%average critics71%average audience$56.7Mdomestic average
Films
14
1997–2016
Domestic
$794.2M
lifetime
Worldwide
$1.88B
lifetime
Avg opening
$14.2M
3-day
Avg legs
4.87x
opening → total
Return
2.9x
on $643.7M of budget
Box Office Watch tracks 14 films featuring Tom Wilkinson, from The Full Monty (1997) to Snowden (2016), together grossing $794.2M domestic and $1.88B worldwide. The biggest hit is The Full Monty (1997) at $261.2M worldwide; the biggest opening weekend belongs to The Green Hornet (2011) at $33.5M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Snowden | 2016 | $8.0M | $21.6M | 2.70x | $35.4M | — | 61% | — |
 Selma | 2014 | $11.3M | $52.1M | 4.60x | $66.7M | A+ | 99% | — |
 The Lone Ranger | 2013 | $29.2M | $89.3M | 3.06x | $261.0M | B+ | 31% | #40 |
 The Best Exotic Marigold Hotel | 2012 | $6.4M | $46.4M | 7.27x | $137.0M | — | 77% | — |
 The Green Hornet | 2011 | $33.5M | $98.8M | 2.95x | $228.0M | B+ | 45% | #31 |
 The Ghost Writer | 2010 | $2.1M | $15.5M | 7.50x | $65.5M | — | 84% | — |
 RocknRolla | 2008 | $1.9M | $5.7M | 3.00x | $27.8M | — | 60% | — |
 Valkyrie | 2008 | $21.0M | $83.1M | 3.95x | $202.0M | — | 62% | #36 |
 Michael Clayton | 2007 | $10.4M | $49.0M | 4.70x | $93.0M | — | 90% | — |
 The Exorcism of Emily Rose | 2005 | $30.1M | $75.1M | 2.50x | $145.0M | — | 46% | #31 |
 Eternal Sunshine of the Spotless Mind | 2004 | $8.2M | $34.5M | 4.20x | $72.2M | — | 93% | — |
 In the Bedroom | 2001 | $2.9M | $35.9M | 12.6x | $44.8M | — | 93% | — |
 Rush Hour | 1998 | $33.0M | $141.2M | 4.30x | $245.3M | — | 62% | — |
 The Full Monty | 1997 | $177K | $46.0M | — | $261.2M | — | 96% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.5 years
Profitability
Return on Budget
2.9x
$1.88B worldwide on $643.7M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $794.2MInternational $1.09B
Return by film · worldwide ÷ budget
0x2.5x breakeven74.6x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.