Studio
NeonFollow
43 films•2016–2026•Drama · Horror · Comedy
Avg critics87%
Avg audience77%
Avg domestic$9.8M
Domestic
$423.3M
Lifetime
Worldwide
$1.080B
Lifetime
Avg opening
$2.0M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| Longlegs | 2024 | $22.4M | $74.3M | 3.30x | $128.0M | C+ | 86% | #29 |
| Parasite | 2019 | $393K | $53.9M | 20.8x | $253.7M | — | 99% | — |
| The Monkey | 2025 | $14.0M | $39.7M | 2.80x | $69.0M | C+ | 77% | #48 |
| I, Tonya | 2017 | $264K | $30.0M | 8.90x | $53.8M | — | 90% | — |
 Together | 2025 | $6.8M | $21.3M | 3.10x | $34.6M | — | 89% | — |
 Anora | 2024 | $551K | $20.5M | 8.10x | $58.2M | — | 93% | — |
 Ferrari | 2023 | $3.9M | $18.6M | 4.70x | $41.0M | — | 73% | — |
 Hokum | 2026 | $6.4M | $17.0M | 2.60x | $25.0M | B | 86% | #63 |
 Immaculate | 2024 | $5.3M | $15.7M | 2.90x | $25.0M | — | 71% | — |
 EPiC: Elvis Presley in Concert | 2026 | $3.2M | $13.6M | 4.20x | $23.5M | A+ | 97% | #73 |
 No Other Choice | 2025 | $333K | $10.0M | 4.50x | $38.6M | — | 97% | — |
 I Love Boosters | 2026 | $3.8M | $9.7M | 2.60x | $9.7M | B | 92% | #79 |
 Hope | 2026 | $3.2M | $8.1M | 2.50x | $46.8M | — | 80% | #82 |
 Leviticus | 2026 | $2.6M | $7.2M | 2.80x | $7.2M | — | 95% | #85 |
 Spencer | 2021 | $2.1M | $7.1M | 3.40x | $16.5M | — | 83% | — |
 Presence | 2024 | $3.3M | $6.9M | 2.10x | $10.6M | — | 87% | — |
 The Life of Chuck | 2025 | $225K | $6.7M | 2.90x | $11.5M | — | 80% | — |
 Sentimental Value | 2025 | $200K | $5.3M | — | $16.5M | — | 95% | — |
 Anatomy of a Fall | 2023 | $118K | $5.1M | — | $48.8M | — | 96% | — |
 Infinity Pool | 2023 | $2.5M | $5.1M | 2.00x | $5.4M | — | 87% | — |
 Triangle of Sadness | 2022 | $215K | $4.6M | — | $32.9M | — | 71% | — |
 The Secret Agent | 2025 | $48K | $4.3M | — | $19.2M | — | 98% | — |
 Perfect Days | 2023 | $101K | $3.8M | 5.90x | $26.3M | — | 96% | — |
 Portrait of a Lady on Fire | 2019 | $67K | $3.8M | 55.8x | $9.9M | — | 98% | — |
 The Exit 8 | 2026 | $1.4M | $3.7M | 2.60x | $11.2M | — | 92% | #105 |
 Pig | 2021 | $971K | $3.2M | 3.30x | $4.6M | — | 96% | — |
 Colossal | 2016 | $120K | $3.2M | 5.20x | $4.5M | — | 82% | — |
 Ingrid Goes West | 2017 | $135K | $3.0M | 3.90x | $3.3M | — | 84% | — |
 The Worst Person in the World | 2021 | $138K | $3.0M | 6.20x | $19.3M | — | 96% | — |
 Crimes of the Future | 2022 | $1.1M | $2.5M | 2.20x | — | — | 79% | — |
 The Christophers | 2026 | $81K | $1.8M | 3.00x | $1.8M | — | 97% | #122 |
 It Was Just an Accident | 2025 | $68K | $1.8M | 8.40x | — | — | 98% | — |
 Sirat | 2025 | $138K | $1.7M | 4.90x | — | — | 90% | — |
 Titane | 2021 | $533K | $1.4M | 2.70x | $6.6M | — | 90% | — |
 It Ends | 2026 | $61K | $1.0M | 1.40x | $1.0M | — | 96% | #133 |
 Her Private Hell | 2026 | $530K | $913K | 1.70x | $0.9M | — | 43% | #136 |
 The Wrong Girls | 2026 | $406K | $879K | 2.20x | $0.9M | — | 55% | #137 |
 Robot Dreams | 2023 | $32K | $875K | 7.10x | $7.2M | — | 98% | — |
 The Seed of the Sacred Fig | 2024 | $35K | $860K | 6.60x | — | — | 97% | — |
 Border | 2018 | $74K | $772K | 9.50x | — | — | 97% | — |
 Sheep in the Box | 2026 | $32K | $200K | 3.80x | $4.5M | — | 41% | #164 |
 Palm Springs | 2020 | $164K | $164K | — | $1.5M | — | 95% | — |
 Revenge | 2017 | $46K | $99K | 2.20x | $1.4M | — | 92% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
3.7x
$775.8M worldwide on $209.9M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $281.0MInternational $494.8M
Return by film
Worldwide ÷ budget0x2.5x breakeven21.5x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full scheduleConnected
Counted from this filmography. The number is how many of these films each one accounts for.
