
Actor
James Cromwell
11 films•1995–2011•Drama · Thriller · Action
72%average critics70%average audience$90.1Mdomestic average
Films
11
1995–2011
Domestic
$990.6M
lifetime
Worldwide
$2.03B
lifetime
Avg opening
$20.0M
3-day
Avg legs
7.44x
opening → total
Return
3.1x
on $651.0M of budget
Box Office Watch tracks 11 films featuring James Cromwell, from Babe (1995) to The Artist (2011), together grossing $990.6M domestic and $2.03B worldwide. The biggest hit is I, Robot (2004) at $353.0M worldwide, which also had the biggest opening weekend, $52.2M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
The Artist | 2011 | $2.4M | $44.7M | 18.8x | $128.1M | — | 95% | — |
Surrogates | 2009 | $14.9M | $38.6M | 2.59x | $122.0M | C | 37% | — |
The Queen | 2006 | $4.0M | $56.4M | 14.1x | $123.0M | — | 97% | — |
The Longest Yard | 2005 | $47.6M | $158.0M | 3.32x | $191.0M | A- | 31% | #12 |
I, Robot | 2004 | $52.2M | $145.0M | 2.78x | $353.0M | A- | 57% | #12 |
Spirit: Stallion of the Cimarron | 2002 | $17.8M | $73.3M | 4.12x | $123.0M | A | 69% | #37 |
The Sum of All Fears | 2002 | $31.2M | $119.0M | 3.81x | $194.0M | A- | 58% | #21 |
Space Cowboys | 2000 | $18.1M | $90.5M | 5.00x | $129.0M | A- | 78% | #24 |
The Green Mile | 1999 | $18.0M | $136.8M | 7.60x | $291.0M | — | 78% | — |
L.A. Confidential | 1997 | $5.2M | $64.6M | 12.4x | $126.2M | — | 99% | — |
Babe | 1995 | $8.7M | $63.7M | 7.30x | $246.0M | — | 98% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.6 years
Profitability
Return on Budget
3.1x
$2.03B worldwide on $651.0M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $990.6MInternational $1.04B
Return by film · worldwide ÷ budget
0x2.5x breakeven8.2x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.










