Actor
Robin WilliamsFollow
33 films•1980–2014•Comedy · Drama · Family
Avg critics54%
Avg audience66%
Avg domestic$83.6M
Domestic
$2.758B
Lifetime
Worldwide
$4.777B
Lifetime
Avg opening
$13.4M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Mrs. Doubtfire | 1993 | $20.5M | $219.2M | 10.7x | $441.3M | — | 71% | — |
 Aladdin | 1992 | $19.3M | $217.3M | 10.3x | $504.1M | A+ | 96% | — |
 Happy Feet | 2006 | $41.5M | $198.0M | 4.77x | $384.0M | A- | 76% | #7 |
 Night at the Museum: Battle of the Smithsonian | 2009 | $54.2M | $177.2M | 3.27x | $402.2M | B+ | 43% | #14 |
 Good Will Hunting | 1997 | $273K | $138.4M | 13.5x | $225.9M | — | 97% | — |
 Patch Adams | 1998 | $25.3M | $135.0M | 5.30x | $202.2M | — | 22% | — |
 The Birdcage | 1996 | $18.3M | $124.1M | 6.80x | $181.8M | — | 85% | — |
 Good Morning, Vietnam | 1987 | $11.8M | $123.9M | 10.5x | — | — | 90% | — |
 Hook | 1991 | $13.5M | $119.7M | 8.80x | $300.9M | — | 37% | — |
 Night at the Museum: Secret of the Tomb | 2014 | $17.1M | $113.7M | 6.66x | $353.8M | A | 49% | #27 |
 Jumanji | 1995 | $11.1M | $100.5M | 9.10x | $262.8M | — | 56% | — |
 Dead Poets Society | 1989 | $340K | $95.9M | 12.7x | $236.0M | — | 85% | — |
 Flubber | 1997 | $26.7M | $93.0M | 3.50x | $178.0M | — | 24% | — |
 RV | 2006 | $16.4M | $71.7M | 4.37x | $87.5M | B+ | 23% | #35 |
 Nine Months | 1995 | $12.5M | $69.7M | 5.60x | $138.5M | — | 24% | — |
 Insomnia | 2002 | $20.9M | $67.4M | 3.22x | $114.0M | B | 92% | #40 |
 Happy Feet Two | 2011 | $21.2M | $64.0M | 3.01x | $159.0M | B+ | 45% | — |
 Jack | 1996 | $11.2M | $58.6M | 5.20x | — | B+ | 17% | — |
 Bicentennial Man | 1999 | $8.2M | $58.2M | 7.10x | $87.4M | — | 38% | — |
 What Dreams May Come | 1998 | $15.8M | $55.5M | 3.50x | $71.5M | B | 51% | — |
 Awakenings | 1990 | $417K | $52.1M | 6.30x | $52.1M | — | 81% | — |
 Popeye | 1980 | $6.3M | $49.8M | 7.90x | — | — | 60% | — |
 Old Dogs | 2009 | $16.9M | $49.5M | 2.90x | $95.1M | — | 5% | — |
 License to Wed | 2007 | $10.4M | $43.8M | 4.20x | $70.2M | — | 7% | — |
 The Fisher King | 1991 | $312K | $41.9M | 5.90x | $41.9M | — | 84% | — |
 Dead Again | 1991 | $3.5M | $38.0M | 6.00x | — | A- | 82% | — |
 Man of the Year | 2006 | $12.3M | $37.4M | 3.00x | $41.3M | — | 22% | — |
 August Rush | 2007 | $9.4M | $31.7M | 3.40x | $64.6M | — | 36% | — |
 One Hour Photo | 2002 | $322K | $31.6M | 3.90x | $52.2M | — | 81% | — |
 The World According to Garp | 1982 | $2.9M | $30.2M | 10.4x | — | — | 71% | — |
 Toys | 1992 | $4.8M | $21.5M | 4.50x | — | — | 26% | — |
 FernGully: The Last Rainforest | 1992 | $3.5M | $21.1M | 5.90x | $29.2M | — | 67% | — |
 Death to Smoochy | 2002 | $4.3M | $8.4M | 2.00x | — | — | 42% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M
DomesticInternationalColumn height is worldwide · one film every 1.1 years
Profitability
Return on budget
3.4x
$4.428B worldwide on $1.302B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.213BInternational $2.215B
Return by film
Worldwide ÷ budget0x2.5x breakeven22.6x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#4Biggest 8th weekendsAladdin$15.6M#8Biggest 9th weekendsMrs. Doubtfire$8.8M#8Biggest Memorial Day openingsAladdin$116.8M#9Most weeks at #1Good Morning, Vietnam9 weeks#10Biggest 9th weekendsGood Will Hunting$8.4M#12All-time G domesticAladdin$217.4M
Top 6 of 13 placings across 9 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.