
Actor
Winona Ryder
11 films•1988–2024•Drama · Comedy · Romance
67%average critics73%average audience$80.8Mdomestic average
Films
11
1988–2024
Domestic
$888.5M
lifetime
Worldwide
$1.58B
lifetime
Avg opening
$21.0M
3-day
Avg legs
6.44x
opening → total
Return
3.8x
on $417.0M of budget
Box Office Watch tracks 11 films featuring Winona Ryder, from Beetlejuice (1988) to Beetlejuice Beetlejuice (2024), together grossing $888.5M domestic and $1.58B worldwide. The biggest hit is Beetlejuice Beetlejuice (2024) at $452.0M worldwide, which also had the biggest opening weekend, $111.0M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
Beetlejuice Beetlejuice | 2024 | $111.0M | $294.1M | 2.65x | $452.0M | B+ | 75% | #6 |
Black Swan | 2010 | $6.3M | $107.0M | 17.1x | $329.0M | — | 85% | #25 |
Mr. Deeds | 2002 | $37.2M | $126.0M | 3.40x | $171.0M | A- | 23% | #19 |
Autumn in New York | 2000 | $11.0M | $37.8M | 3.44x | $90.7M | C+ | 20% | — |
Girl, Interrupted | 1999 | $8.1M | $28.9M | 3.60x | $48.4M | — | 53% | — |
Alien: Resurrection | 1997 | $16.5M | $47.8M | 2.90x | $160.7M | — | 55% | — |
The Age of Innocence | 1993 | $2.3M | $32.0M | 13.8x | $32.0M | — | 88% | — |
Dracula | 1992 | $30.5M | $82.5M | 2.70x | $215.9M | — | 69% | — |
Edward Scissorhands | 1990 | $160K | $54.0M | 338.2x | — | — | 92% | — |
Heathers | 1989 | $177K | $927K | 5.20x | $1.0M | — | 95% | — |
Beetlejuice | 1988 | $8.0M | $77.5M | 9.60x | $78.1M | — | 83% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 3.6 years
Profitability
Return on Budget
3.8x
$1.58B worldwide on $417.0M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $833.6MInternational $744.2M
Return by film · worldwide ÷ budget
0x2.5x breakeven25.3x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records →1 placing across 1 all-time chart. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.












