Studio
Metro-Goldwyn-Mayer
47 films•1939–2023•Drama · Comedy · Adventure
67%average critics73%average audience$60.3Mdomestic average
Films
20
1939–2007
Domestic
$2.83B
lifetime
Worldwide
$5.53B
lifetime
Avg opening
$12.4M
3-day
Avg legs
4.36x
opening → total
Return
3.3x
on $1.46B of budget
Box Office Watch tracks 47 Metro-Goldwyn-Mayer releases from 1939 to 2023, together grossing $2.83B domestic and $5.53B worldwide. The biggest hit is Die Another Day (2002) at $432.0M worldwide; the biggest opening weekend belongs to Hannibal (2001) at $58.0M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 1408 | 2007 | $20.6M | $72.0M | 3.49x | $133.0M | B- | 80% | #37 |
 Halloween | 2007 | $26.4M | $58.3M | 2.21x | $77.5M | B- | 28% | #43 |
 Rocky Balboa | 2006 | $12.2M | $70.3M | 5.78x | $156.0M | B+ | 78% | #38 |
 The Amityville Horror | 2005 | $23.5M | $65.2M | 2.78x | $108.0M | B | 23% | #39 |
 Barbershop 2: Back in Business | 2004 | $24.2M | $65.1M | 2.69x | $65.8M | A- | 69% | #45 |
 Legally Blonde 2: Red, White & Blonde | 2003 | $22.2M | $90.2M | 4.06x | $125.0M | B | 35% | #33 |
| Die Another Day | 2002 | $47.1M | $161.0M | 3.42x | $432.0M | A- | 55% | #11 |
 Barbershop | 2002 | $20.6M | $75.8M | 3.70x | $77.1M | A- | 82% | #35 |
| Hannibal | 2001 | $58.0M | $165.0M | 2.80x | $352.0M | C+ | 39% | #12 |
 Legally Blonde | 2001 | $20.4M | $96.5M | 4.74x | $142.0M | A- | 72% | #22 |
 The World Is Not Enough | 1999 | $35.5M | $126.9M | 3.60x | $361.7M | — | 51% | — |
 Tomorrow Never Dies | 1997 | $25.1M | $125.3M | 5.00x | $339.5M | — | 58% | — |
 GoldenEye | 1995 | $26.2M | $101.0M | 3.84x | $356.0M | A- | 80% | — |
 Stargate | 1994 | $16.7M | $71.6M | 4.30x | $196.6M | — | 53% | — |
| Rocky IV | 1985 | $20.0M | $127.9M | — | $300.4M | — | 38% | — |
 Rocky III | 1982 | $12.4M | $125.0M | 10.1x | $270.0M | — | 66% | — |
 Poltergeist | 1982 | $6.9M | $74.8M | 10.8x | $121.8M | — | 89% | — |
 Doctor Zhivago | 1965 | — | $111.9M | — | $112.1M | — | 82% | — |
 Ben-Hur | 1959 | — | $73.0M | — | $73.2M | — | 88% | — |
| Gone with the Wind | 1939 | — | $198.7M | — | $390.5M | — | 90% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
Gone with the Wind1939Ben-Hur1959Doctor Zhivago1965Rocky III1982Poltergeist1982Rocky IV1985Stargate1994GoldenEye1995Tomorrow Never Dies1997The World Is Not Enough1999Hannibal2001Legally Blonde2001Die Another Day2002Barbershop2002Legally Blonde 2: Red, White & Blonde2003Barbershop 2: Back in Business2004The Amityville Horror2005Rocky Balboa200614082007Halloween2007DomesticInternationalColumn height is worldwide
Profitability
Return on Budget
3.3x
$4.89B worldwide on $1.46B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $2.43BInternational $2.45B
Return by film · worldwide ÷ budget
0x2.5x breakeven100.1x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records →#7Biggest horror openingsHalloween$76.2M#12Biggest horror openingsHannibal$58.0M#14All-time G domesticGone with the Wind$200.9M#17Biggest R openingsHalloween$76.2M#19Most weeks at #1Rocky IV6 weeks
5 placings across 4 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.