Studio
Screen GemsFollow
25 films•2002–2023•Action · Thriller · Horror
Avg critics37%
Avg audience60%
Avg domestic$51.5M
Domestic
$1.288B
Lifetime
Worldwide
$2.984B
Lifetime
Avg opening
$20.7M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| The Vow | 2012 | $41.2M | $125.0M | 3.03x | $196.0M | — | 30% | #26 |
| Think Like a Man | 2012 | $33.6M | $91.5M | 2.72x | $113.0M | A | 55% | #33 |
| Insidious: The Red Door | 2023 | $33.0M | $82.2M | 2.50x | $189.1M | A- | 59% | #33 |
| Dear John | 2010 | $30.5M | $80.0M | 2.63x | $142.0M | — | 28% | #43 |
 The Exorcism of Emily Rose | 2005 | $30.1M | $75.1M | 2.50x | $145.0M | — | 46% | #31 |
 Obsessed | 2009 | $28.6M | $68.3M | 2.39x | $74.0M | B+ | 19% | #48 |
 Underworld: Awakening | 2012 | $25.3M | $62.3M | 2.46x | $160.4M | A- | 25% | — |
 Underworld: Evolution | 2006 | $26.9M | $62.3M | 2.32x | $113.4M | B+ | 17% | #47 |
 Stomp the Yard | 2007 | $21.8M | $61.4M | 2.81x | $75.5M | — | 27% | #41 |
 Resident Evil: Afterlife | 2010 | $26.7M | $60.1M | 2.26x | $295.9M | B- | 21% | — |
 Takers | 2010 | $20.5M | $57.7M | 2.80x | $70.6M | B | 28% | — |
 No Good Deed | 2014 | $24.3M | $52.5M | 2.20x | $54.3M | B+ | 13% | — |
 Resident Evil: Apocalypse | 2004 | $23.0M | $50.7M | 2.21x | $125.2M | A | 18% | — |
 Resident Evil: Extinction | 2007 | $23.7M | $50.6M | 2.14x | $149.9M | A | 24% | #50 |
 About Last Night | 2014 | $25.6M | $48.6M | 1.90x | $50.4M | A- | 68% | — |
 Underworld: Rise of the Lycans | 2009 | $20.8M | $45.8M | 2.20x | $92.1M | — | 30% | — |
 Resident Evil: Retribution | 2012 | $21.1M | $42.3M | 2.01x | $240.6M | C+ | 28% | — |
 Resident Evil | 2002 | $17.7M | $40.1M | 2.27x | $103.8M | B | 36% | — |
 Deliver Us from Evil | 2014 | $9.7M | $30.6M | 3.10x | $88.0M | B- | 30% | — |
 Resident Evil: The Final Chapter | 2017 | $13.6M | $26.8M | 2.00x | $314.1M | B | 39% | — |
 Searching | 2018 | $389K | $26.0M | 4.30x | $75.6M | — | 92% | — |
 The Grudge | 2020 | $11.3M | $21.2M | 1.90x | $49.5M | F | 19% | #16 |
 Monster Hunter | 2020 | $2.2M | $15.2M | 6.90x | $47.9M | B | 44% | #22 |
 Straw Dogs | 2011 | $5.1M | $10.3M | 2.00x | $11.2M | — | 42% | — |
 Attack the Block | 2011 | $140K | $1.0M | 7.30x | $6.5M | — | 91% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
3.9x
$2.984B worldwide on $770.1M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.288BInternational $1.696B
Return by film
Worldwide ÷ budget0x2.5x breakeven23.6x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#7Biggest September openingsResident Evil$60.2M#15Biggest horror filmsResident Evil$153.7M#19Biggest February openingsThe Vow$41.2M#19Biggest video game moviesResident Evil: Afterlife$60.1M
4 placings across 4 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.