Actor
Adam DriverFollow
19 films•2012–2026•Drama · Comedy · Action
Avg critics75%
Avg audience67%
Avg domestic$129.7M
Domestic
$2.335B
Lifetime
Worldwide
$5.011B
Lifetime
Avg opening
$39.9M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Star Wars: The Force Awakens | 2015 | $248.0M | $936.7M | 3.78x | $2.056B | A | 93% | #1 |
 Star Wars: The Last Jedi | 2017 | $220.0M | $620.2M | 2.82x | $1.323B | A | 91% | #1 |
 Star Wars: The Rise of Skywalker | 2019 | $177.4M | $515.2M | 2.90x | $1.070B | B+ | 51% | #3 |
 House of Gucci | 2021 | $14.4M | $53.8M | 3.74x | $153.3M | B+ | 61% | #25 |
 BlacKkKlansman | 2018 | $10.8M | $49.3M | 4.50x | $93.4M | A- | 96% | — |
 This Is Where I Leave You | 2014 | $11.6M | $34.3M | 3.00x | $41.3M | — | 45% | — |
 65 | 2023 | $12.3M | $32.1M | 2.60x | $56.2M | — | 35% | — |
 Logan Lucky | 2017 | $7.6M | $27.8M | 3.70x | $49.0M | B | 92% | — |
 Ferrari | 2023 | $3.9M | $18.6M | 4.70x | $41.0M | — | 73% | — |
 The Last Duel | 2021 | $4.8M | $10.9M | 2.30x | $30.6M | — | 85% | — |
 Megalopolis | 2024 | $4.0M | $7.6M | 1.90x | $12.3M | — | 46% | — |
 While We're Young | 2014 | $228K | $7.6M | 5.30x | $17.5M | — | 84% | — |
 Silence | 2016 | $131K | $7.1M | 3.60x | $23.7M | — | 83% | — |
 The Dead Don't Die | 2019 | $2.5M | $6.8M | 2.70x | $15.7M | — | 55% | — |
 Frances Ha | 2012 | $137K | $4.1M | 7.50x | $11.2M | — | 92% | — |
 Paterson | 2016 | $69K | $2.1M | 12.2x | $10.7M | — | 96% | — |
 Father Mother Sister Brother | 2025 | $44K | $965K | 2.90x | $6.3M | — | 81% | — |
 Misty Green | 2026 | $86K | $141K | 1.60x | $0.1M | — | 62% | #166 |
 Marriage Story | 2019 | — | — | — | — | — | 95% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 0.8 years
Profitability
Return on budget
3.2x
$4.977B worldwide on $1.569B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.320BInternational $2.657B
Return by film
Worldwide ÷ budget0x2.5x breakeven6.2x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#1Biggest second weekendsStar Wars: The Force Awakens$149.2M#1Biggest 3rd weekendsStar Wars: The Force Awakens$90.2M#1Biggest Christmas openingsStar Wars: The Rise of Skywalker$177.4M#2Biggest domestic runsStar Wars: The Force Awakens$936.7M#3Biggest December openingsStar Wars: The Last Jedi$220.0M#4Biggest December openingsStar Wars: The Rise of Skywalker$177.4M#6Biggest opening weekendsStar Wars: The Last Jedi$220.0M#6Biggest PG-13 openingsStar Wars: The Last Jedi$220.0M#12Biggest single daysStar Wars: The Rise of Skywalker$89.6M
Top 9 of 31 placings across 15 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleConnected
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
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Week 34 · RecapBrand New Day closes in on #2 all-time; Odyssey beats The Dark Knight to take Nolan’s domestic record; Insidious opens to $25MAugust 21–23, 2026
Special Coverage · Summer 2026Summer 2026 Recap: the hits, the flops, the breakouts, and the winners and losers of the seasonAugust 20, 2026
