Actor
Kate WinsletFollow
25 films•1994–2022•Drama · Romance · Biography
Avg critics62%
Avg audience70%
Avg domestic$87.7M
Domestic
$2.194B
Lifetime
Worldwide
$6.526B
Lifetime
Avg opening
$15.3M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Avatar: The Way of Water | 2022 | $134.1M | $688.8M | 5.10x | $2.323B | A | 77% | #2 |
 Titanic | 1997 | $28.6M | $674.5M | 21.0x | $2.223B | A+ | 88% | — |
 Divergent | 2014 | $54.6M | $150.9M | 2.76x | $276.0M | A | 41% | #19 |
 The Divergent Series: Insurgent | 2015 | $54.6M | $130.2M | 2.38x | $295.1M | A- | 29% | #23 |
 Contagion | 2011 | $22.4M | $75.7M | 3.38x | $137.0M | B- | 85% | #44 |
 Flushed Away | 2006 | $18.8M | $64.7M | 3.44x | $178.0M | B+ | 72% | #41 |
 The Holiday | 2006 | $12.8M | $63.2M | 4.95x | $205.0M | — | 51% | #45 |
 Finding Neverland | 2004 | $221K | $51.7M | 11.1x | $117.0M | A | 83% | — |
 Sense and Sensibility | 1995 | $3.3M | $43.0M | 13.0x | $135.0M | — | 97% | — |
 Eternal Sunshine of the Spotless Mind | 2004 | $8.2M | $34.5M | 4.20x | $72.2M | — | 93% | — |
 The Reader | 2008 | $2.4M | $34.2M | 14.4x | $113.0M | — | 63% | — |
 Collateral Beauty | 2016 | $7.1M | $31.0M | 4.40x | $88.5M | — | 14% | — |
 The Mountain Between Us | 2017 | $10.6M | $30.3M | 2.90x | $62.6M | — | 39% | — |
 Revolutionary Road | 2008 | $190K | $23.0M | 4.40x | $79.6M | — | 67% | — |
 The Life of David Gale | 2003 | $7.1M | $19.7M | 2.80x | $28.9M | — | 19% | — |
 Steve Jobs | 2015 | $522K | $17.8M | 2.50x | $35.6M | — | 85% | — |
 Labor Day | 2014 | $5.2M | $13.4M | 2.60x | $14.2M | — | 34% | — |
 Triple 9 | 2016 | $6.1M | $12.6M | 2.10x | $25.9M | — | 54% | — |
 Movie 43 | 2013 | $4.8M | $8.8M | 1.80x | $31.2M | — | 5% | — |
 Quills | 2000 | $249K | $7.1M | 28.3x | $11.7M | — | 75% | — |
 Iris | 2001 | $23K | $5.6M | — | $16.2M | — | 79% | — |
 Little Children | 2006 | $98K | $5.5M | 14.3x | $14.1M | — | 81% | — |
 Heavenly Creatures | 1994 | — | $3.0M | — | $5.4M | — | 95% | — |
 Carnage | 2011 | $80K | $2.5M | 3.60x | $38.1M | — | 71% | — |
 The Dressmaker | 2015 | $185K | $2.0M | 5.50x | — | — | 59% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$1B$2B
DomesticInternationalColumn height is worldwide · one film every 1.2 years
Profitability
Return on budget
4.4x
$6.464B worldwide on $1.455B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.161BInternational $4.302B
Return by film
Worldwide ÷ budget0x2.5x breakeven11.1x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#1Biggest 8th weekendsTitanic$23.0M#1Longest runs of $1M+ daysTitanic—#2Most weeks at #1Titanic15 weeks#3Biggest 4th weekendsAvatar: The Way of Water$45.8M#4Biggest worldwide runsAvatar: The Way of Water$2.323B#6Biggest December openingsAvatar: The Way of Water$134.1M
Top 6 of 31 placings across 20 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
