Actor
Salma Hayek
10 films•1995–2022•Action · Crime · Comedy
54%average critics71%average audience$60.0Mdomestic average
Films
10
1995–2022
Domestic
$599.7M
lifetime
Worldwide
$1.23B
lifetime
Avg opening
$13.6M
3-day
Avg legs
5.22x
opening → total
Return
2.3x
on $531.0M of budget
Box Office Watch tracks 10 films featuring Salma Hayek, from Desperado (1995) to Puss in Boots: The Last Wish (2022), together grossing $599.7M domestic and $1.23B worldwide. The biggest hit is Puss in Boots: The Last Wish (2022) at $484.3M worldwide; the biggest opening weekend belongs to Wild Wild West (1999) at $27.7M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Puss in Boots: The Last Wish | 2022 | $12.4M | $186.1M | 15.0x | $484.3M | A | 91% | #10 |
 The Hitman's Wife's Bodyguard | 2021 | $11.4M | $37.0M | 3.20x | $70.1M | B | 25% | — |
 Like a Boss | 2020 | $10.0M | $22.2M | 2.20x | $29.7M | B | 21% | #15 |
 The Hitman's Bodyguard | 2017 | $21.5M | $75.5M | 3.51x | $176.6M | B+ | 40% | #41 |
 Once Upon a Time in Mexico | 2003 | $23.4M | $56.3M | 2.40x | $97.4M | — | 66% | — |
 Frida | 2002 | $2.4M | $25.9M | 10.9x | $56.1M | — | 77% | — |
 Dogma | 1999 | $8.7M | $31.7M | — | $45.0M | — | 72% | — |
 Wild Wild West | 1999 | $27.7M | $113.8M | 4.10x | $221.2M | — | 16% | — |
 From Dusk Till Dawn | 1996 | $10.2M | $25.7M | 2.50x | $25.7M | — | 65% | — |
 Desperado | 1995 | $7.9M | $25.5M | 3.20x | $25.5M | — | 71% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 3.0 years
Profitability
Return on Budget
2.3x
$1.23B worldwide on $531.0M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $599.7MInternational $631.9M
Return by film · worldwide ÷ budget
0x2.5x breakeven4.7x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
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