Director
Steven Spielberg
28 films•1975–2026•Drama · Adventure · Action
82%average critics78%average audience$159.0Mdomestic average
Films
28
1975–2026
Domestic
$4.45B
lifetime
Worldwide
$10.63B
lifetime
Avg opening
$26.8M
3-day
Avg legs
5.41x
opening → total
Return
5.3x
on $1.99B of budget
Box Office Watch tracks 28 films directed by Steven Spielberg, from Jaws (1975) to Disclosure Day (2026), together grossing $4.45B domestic and $10.63B worldwide. The biggest hit is Jurassic Park (1993) at $1.06B worldwide; the biggest opening weekend belongs to Indiana Jones and the Kingdom of the Crystal Skull (2008) at $100.0M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Disclosure Day | 2026 | $44.5M | $116.6M | 2.60x | $241.3M | B | 80% | #15 |
 The Fabelmans | 2022 | $2.3M | $17.3M | 7.70x | $43.3M | A | 92% | — |
 West Side Story | 2021 | $10.5M | $38.9M | 3.70x | $76.5M | A | 91% | #33 |
 Ready Player One | 2018 | $41.8M | $137.7M | 3.30x | $583.5M | A | 71% | #25 |
 The Post | 2017 | $18.6M | $81.9M | 4.40x | $179.8M | A | 88% | #39 |
 Bridge of Spies | 2015 | $15.4M | $72.3M | 4.70x | $162.5M | A | 91% | #41 |
 Lincoln | 2012 | $21.0M | $182.0M | 8.66x | $275.0M | A | 89% | #13 |
 The Adventures of Tintin | 2011 | $9.7M | $77.6M | 7.98x | $374.0M | A- | 75% | #43 |
 War Horse | 2011 | $7.5M | $79.9M | 10.6x | $178.0M | A- | 74% | #40 |
 Indiana Jones and the Kingdom of the Crystal Skull | 2008 | $100.0M | $317.0M | 3.17x | $787.0M | B | 77% | #3 |
 Munich | 2005 | $7.6M | $47.4M | 6.27x | $131.0M | B+ | 79% | — |
 War of the Worlds | 2005 | $64.9M | $234.0M | 3.61x | $604.0M | B+ | 76% | #4 |
 The Terminal | 2004 | $19.1M | $77.9M | 4.09x | $219.0M | B+ | 61% | #34 |
 Catch Me If You Can | 2002 | $30.1M | $165.0M | 5.48x | $352.0M | A- | 96% | #10 |
 Minority Report | 2002 | $35.7M | $132.0M | 3.70x | $358.0M | B+ | 89% | #16 |
 A.I. Artificial Intelligence | 2001 | $29.4M | $78.6M | 2.70x | $235.9M | — | 76% | — |
 A.I. Artificial Intelligence | 2001 | $29.4M | $78.6M | 2.68x | $236.0M | C+ | 76% | #28 |
 Saving Private Ryan | 1998 | $30.6M | $216.0M | 7.07x | $482.0M | A | 94% | — |
 The Lost World: Jurassic Park | 1997 | $72.1M | $229.0M | 3.18x | $619.0M | B+ | 57% | — |
 Jurassic Park | 1993 | $47.0M | $357.0M | 7.59x | $1.06B | A | 91% | — |
 Schindler's List | 1993 | $4.6M | $96.9M | 20.9x | $322.0M | — | 98% | — |
 Hook | 1991 | $13.5M | $119.7M | 8.80x | $300.9M | — | 37% | — |
 Indiana Jones and the Last Crusade | 1989 | $37.0M | $197.2M | 5.30x | $474.2M | — | 84% | — |
 Indiana Jones and the Temple of Doom | 1984 | $25.3M | $179.9M | 7.10x | $333.1M | — | 77% | — |
 E.T. the Extra-Terrestrial | 1982 | $11.8M | $439.5M | 37.1x | $797.3M | A+ | 99% | — |
 Raiders of the Lost Ark | 1981 | $8.3M | $225.7M | — | $367.5M | — | 94% | — |
 Close Encounters of the Third Kind | 1977 | $5.4M | $169.1M | — | $340.8M | — | 91% | — |
 Jaws | 1975 | $7.8M | $287.2M | — | $497.9M | — | 97% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.9 years
Profitability
Return on Budget
5.3x
$10.63B worldwide on $1.99B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $4.45BInternational $6.18B
Return by film · worldwide ÷ budget
0x2.5x breakeven75.9x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records →#1Most weeks at #1E.T. the Extra-Terrestrial16 weeks#6Biggest 10th weekendsE.T. the Extra-Terrestrial$8.4M#14All-time PG domesticE.T. the Extra-Terrestrial$435.1M#19All-time R domesticSaving Private Ryan$217.0M
Top 4 of 8 placings across 8 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.
