
Actor
Toni Collette
12 films•1996–2024•Drama · Comedy · Thriller
87%average critics76%average audience$62.1Mdomestic average
Films
12
1996–2024
Domestic
$745.8M
lifetime
Worldwide
$1.60B
lifetime
Avg opening
$8.7M
3-day
Avg legs
7.03x
opening → total
Return
5.9x
on $263.9M of budget
Box Office Watch tracks 12 films featuring Toni Collette, from Emma (1996) to Juror #2 (2024), together grossing $745.8M domestic and $1.60B worldwide. The biggest hit is The Sixth Sense (1999) at $673.0M worldwide; the biggest opening weekend belongs to Knives Out (2019) at $26.8M.
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
Juror #2 | 2024 | — | — | — | $27.3M | — | 93% | — |
Nightmare Alley | 2021 | $2.8M | $11.3M | 4.00x | $39.6M | B | 80% | — |
I'm Thinking of Ending Things | 2020 | — | — | — | — | — | 82% | — |
Knives Out | 2019 | $26.8M | $165.4M | 6.17x | $312.9M | A- | 97% | #15 |
Hereditary | 2018 | $13.6M | $44.1M | 3.20x | $80.9M | D+ | 90% | — |
Mary and Max | 2009 | — | — | — | $1.7M | — | 96% | — |
Little Miss Sunshine | 2006 | $5.6M | $59.9M | 10.7x | $100.6M | — | 91% | — |
About a Boy | 2002 | $8.6M | $41.4M | 4.84x | $131.0M | B+ | 93% | — |
Changing Lanes | 2002 | $17.1M | $66.8M | 3.90x | $94.9M | B- | 77% | #41 |
The Hours | 2002 | $3.4M | $41.7M | 12.4x | $97.0M | — | 79% | — |
The Sixth Sense | 1999 | $26.7M | $293.0M | 11.0x | $673.0M | A- | 86% | — |
Emma | 1996 | $241K | $22.2M | — | $37.8M | — | 84% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 2.5 years
Profitability
Return on Budget
5.9x
$1.57B worldwide on $263.9M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs International Split
Domestic $745.8MInternational $821.9M
Return by film · worldwide ÷ budget
0x2.5x breakeven16.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records →Top 1 of 3 placings across 3 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full schedule →No upcoming movies announced yet.
Connected
Studios
Counted from this filmography. The number is how many of these films each one accounts for.











