Actor
Tommy Lee JonesFollow
33 films•1 also directed•1970–2026•Drama · Action · Thriller
Avg critics59%
Avg audience59%
Avg domestic$78.8M
Domestic
$2.599B
Lifetime
Worldwide
$5.276B
Lifetime
Avg opening
$18.6M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Men in Black | 1997 | $51.1M | $250.7M | 4.91x | $587.8M | B+ | 91% | — |
 Men in Black II | 2002 | $52.1M | $190.4M | 3.65x | $441.8M | B+ | 38% | #8 |
 Batman Forever | 1995 | $52.8M | $184.2M | 3.50x | $336.7M | — | 41% | — |
 The Fugitive | 1993 | $23.8M | $183.9M | 7.70x | $369.0M | — | 96% | — |
 Men in Black³ | 2012 | $54.6M | $179.0M | 3.28x | $654.2M | B+ | 67% | #14 |
 Captain America: The First Avenger | 2011 | $65.1M | $176.7M | 2.71x | $370.6M | A- | 80% | #12 |
 Jason Bourne | 2016 | $59.2M | $162.2M | 2.74x | $416.2M | A- | 54% | #15 |
 Double Jeopardy | 1999 | $23.2M | $116.7M | 5.00x | $177.8M | — | 28% | — |
 Love Story | 1970 | — | $106.4M | — | $136.4M | — | 65% | — |
 The Client | 1994 | $17.2M | $92.1M | 5.40x | $117.6M | — | 78% | — |
 Space Cowboys | 2000 | $18.1M | $90.5M | 5.00x | $129.0M | A- | 78% | #24 |
 Under Siege | 1992 | $14.1M | $83.6M | 5.90x | $156.6M | A- | 83% | — |
 No Country for Old Men | 2007 | $1.2M | $74.3M | 9.60x | $172.0M | — | 93% | #35 |
 JFK | 1991 | $5.2M | $70.4M | 13.5x | $205.4M | — | 85% | — |
 Coal Miner's Daughter | 1980 | $3.4M | $67.2M | 20.0x | — | — | 84% | — |
 Hope Springs | 2012 | $14.7M | $63.5M | 4.34x | $133.0M | — | 75% | #50 |
 Rules of Engagement | 2000 | $15.0M | $61.3M | 4.09x | $71.7M | A- | 36% | #38 |
 U.S. Marshals | 1998 | $16.9M | $57.8M | 3.40x | $103.0M | A- | 31% | — |
 Small Soldiers | 1998 | $14.0M | $55.1M | 3.90x | $71.7M | B+ | 50% | — |
 Natural Born Killers | 1994 | $11.2M | $50.3M | 4.50x | — | — | 52% | — |
 Ad Astra | 2019 | $19.0M | $50.2M | 2.60x | $135.2M | — | 83% | — |
 Volcano | 1997 | $14.6M | $47.5M | 3.30x | $120.1M | B+ | 48% | — |
 The Family | 2013 | $14.0M | $36.9M | 2.60x | $80.6M | — | 28% | — |
 The Hunted | 2003 | $13.5M | $34.2M | 2.50x | $47.2M | — | 30% | — |
 Blown Away | 1994 | $10.4M | $30.1M | 2.90x | — | — | 39% | — |
 The Missing | 2003 | $10.8M | $26.9M | 2.50x | $38.3M | — | 58% | — |
 Mechanic: Resurrection | 2016 | $7.5M | $21.2M | 2.80x | $125.7M | — | 28% | — |
 Criminal | 2016 | $5.8M | $14.7M | 2.60x | $38.8M | — | 30% | — |
 In the Valley of Elah | 2007 | $134K | $6.8M | 4.50x | $24.5M | — | 0% | — |
 The Company Men | 2010 | $648K | $4.4M | 6.70x | — | — | 67% | — |
 Angel and the Badman | 2026 | $2.1M | $3.9M | 1.80x | $3.9M | B+ | 23% | #104 |
 Blue Sky | 1994 | $764K | $3.4M | 4.40x | $3.4M | — | 80% | — |
 The Homesman | 2014 | $45K | $2.4M | 5.00x | $8.2M | — | 81% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M
DomesticInternationalColumn height is worldwide · one film every 1.8 years
Profitability
Return on budget
2.9x
$4.976B worldwide on $1.694B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.250BInternational $2.726B
Return by film
Worldwide ÷ budget0x2.5x breakeven8.4x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#13Best multipliersMen in Black4.91x#17Most weeks at #1The Fugitive6 weeks#17Biggest July 4th openingsMen in Black II$52.1M#18Biggest July 4th openingsMen in Black$51.1M#19Best second-weekend holds ($20M+ openers)The Fugitive−5.6%
5 placings across 4 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.